Venice film festival 2022
Makeup artist who created prosthetic nose for Bradley Cooper film apologises
Kazu Hiro says he was surprised by ‘Jewface’ criticism over actor’s portrayal of composer Leonard Bernstein in biopic Maestro
Peter Bradshaw's film of the week
L’Immensità review – desperation and secret yearning in 1970s RomeEmanuele Crialese’s drama of family dysfunction, starring Penélope Cruz, offers moments of glorious escapist fantasy
Peter Bradshaw's film of the week
White Noise review – Don DeLillo adaptation is a blackly comic blastDeLillo’s novel of campus larks and eco dread has long been ogled by Hollywood. Now it gets an elegant, droll treatment from Noah Baumbach, starring Adam Driver and Greta Gerwig
Romain Gavras: ‘My dad fed me Tarkovsky from the age of seven’
Rejecting his director father’s love of arthouse, the film-maker threw himself into pop videos. Now, with his political drama Athena, he’s joining the family business
Talking cats, magic brooms and robot bar staff – welcome to the future of storytelling
The Venice film festival section Venice Immersive is dedicated to ‘extended reality’, where visitors can explore new narrative worlds. Our intrepid correspondent gets lost
Venice film festival 2022 week two roundup – discomfort and joy
A mood of theatricality prevailed at this year’s edition – a bleak but furiously cinematic Marilyn Monroe biopic and a forbiddingly austere French courtroom drama being the most distinctive offerings
First look review
The Listener review – Tessa Thompson braves the trials of a helpline volunteerVenice film festival: Steve Buscemi’s uneven drama is elevated by the poise and focus of its lone star
First look review
Blonde review – Some like it rotten: Monroe biopic is moving, explicit and intensely irritatingVenice film festival: Andrew Dominik’s controversial drama finds space for talking foetuses, presidential sex and a starry throuple – but denies its subject sufficient agency
‘I truly believe she was close’: star of new biopic sensed Marilyn Monroe on set
Director Andrew Dominik also says that scenes for the controversial Netflix release, filmed in the room where the iconic actor died were ‘like a seance’
The Damned Don’t Cry review – mournful portrait of colonial tension
Fyzal Boulifa explores the decisions forced on a poverty-stricken Moroccan family in this vivid and powerful drama
The Son review – laceratingly painful drama of familial fear and loathing
Florian Zeller’s follow-up to The Father features a tremendous performance from Hugh Jackman, as a divorced lawyer who agrees to look after his troubled offspring
Hugh Jackman says starring in The Son changed his approach to parenting
Actor says Florian Zeller’s film made him aware of how important it is to share vulnerabilities as a father – not just be strong and dependable
Love Life review – tangled and tragic human drama about chaotic life twists
Japanese director Kôji Fukada has crafted a richly painful and quietly comic human drama
Sources deny Harry Styles spat on Chris Pine at the Don’t Worry Darling premiere
The singer turned actor had been the focus of a viral clip that allegedly shows him spitting on his co-star at the Venice film festival
The Eternal Daughter review – double Tilda Swinton haunts Joanna Hogg ghost story
Swinton plays both mother and daughter in a moving and disconcerting move into pseudo horror from the director of The Souvenir
Don’t dribble, darling: did Harry Styles really spit at Chris Pine?
The internet was already frothing at the mouth over the backstage wrangles on Olivia Wilde’s new film. And then its stars started opening their mouths
Amanda review – comic crises in the life of an entitled twentysomething
Don’t Worry Darling review – panic! Harry Styles drama offers cause for concern
‘The world is so quick to pull the trigger of judgment’: Colin Farrell praises ‘discourse’ over cancel culture
Olivia Wilde shuts down Don’t Worry Darling rumours amid controversy
About 40 results for Venice film festival 2022 
