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Michel van der Aa

September 2022

  • 4- The Book of Water di Michel van der Aa : Courtesy La Biennale di Venezia © Andrea Avezzù

    Venice Biennale Musica review – things old, new, borrowed and bleurgh

    The contemporary music strand of the Italian festival brought a typically elegant and thoughtful music theatre work by Michel van der Aa; less successful was Yvette Janine Jackson’s ‘radio opera’ Left Behind

July 2021

  • Louis Andriessen, 1939-2021.

    Louis Andriessen: six of the best

    The Dutch composer, whose death was announced yesterday, wrote propulsive scores inspired not just by jazz and pop – but film, literature and art

September 2017

  • The English Baroque Soloists and Monteverdi Choir conducted by John Eliot Gardiner in L`Orfeo.

    Festivals 2017
    Lucerne festival 2017 review – Chailly, Gardiner, Monteverdi et al

    Lucerne has identity on its mind, and delights including Riccardo Chailly and his La Scala band and John Eliot Gardiner’s Monteverdi tour

June 2016

  • Theatre of the World by Louis Andriessen with the Dutch National Opera.

    Theatre of the World review – an operatic journey through a Bosch-like world

    Dazzling performances in this new theatre piece about a Jesuit polymath bring Louis Andriessen’s exhilarating soundworld to life

January 2016

  • Kate Miller-Heidke in The Book of Sand. Playing at Sydney festival in 2016, The Book of Sand is an interactive song cycle inspired by the theme of ‘infinity’ in Jorge Luis Borges’ stories.

    Sydney festival 2016
    Kate Miller-Heidke: opera's former 'bratty upstart' tackles a tragic Australian story

    The Rabbits co-creator and star on the challenge, ‘as a whitey’, of staging the Shaun Tan-John Marsden story of colonialism, and the ‘huge onus’ to do it justice

September 2014

  • Roderick Wiiilams

    Roderick Williams on the Last Night of the Proms: ‘Maybe I should dress as Britannia and wave a Jamaican flag’

    Baritone Roderick Williams will perform to a global audience of millions on Saturday. He’s going to have a ball, he tells Imogen Tilden

April 2013

  • sunken garden

    Sunken Garden; Nabucco; Mark Padmore & Graham Johnson – review

  • Sunken Garden, ENO @ barbican, 2013

    Sunken Garden - review

  • Detail from Michel van der Aa's score of the The Sunken Garden, premiering at ENO April 2013.

    Music blog
    André de Ridder: together in electric dreams

  • ENO Sunken Garden teaser 2 - video

    ENO: Sunken Garden, second trailer - video

March 2013

  • david mitchell michael van der aa

    David Mitchell and Michel van der Aa on Sunken Garden

  • ENO Sunken Garden trailer - video

    ENO: Sunken Garden trailer - video

  • Barbara Hannigan in Written on Skin

    The Rest Is Noise festival
    Soprano Barbara Hannigan: 'Where's the crazy stuff?'

  • Written on Skin, George Benjamin

    Charlotte Higgins on culture
    With George Benjamin's Written on Skin, British opera takes a bold step into the future

February 2013

  • David Mitchell

    David Mitchell: 'I don't want to project myself as this great experimenter'

    David Mitchell never imagined his novel Cloud Atlas, with its labyrinth of interlocking stories, could be adapted for the screen. So what made him entrust Hollywood with the challenge, asks Stuart Jeffries

October 2012

  • Damon Albarn at ENO's Undress for Opera launch

    Damon Albarn kickstarts ENO's 'undress for opera' scheme

    Damon Albarn and Terry Gilliam launch ENO's new audience expansion scheme to attract younger audience to art form that many consider 'too stuffy, too posh, too expensive'

April 2012

  • Walt Disney

    English National Opera's new season includes controversial Disney story

    Fictionalised account of animator's life, one of nine new productions to be staged by the company, will present a 'nightmarish' vision of Walt Disney

March 2011

  • The Return Of Ulysses

    The Return of Ulysses; A Magic Flute; Kommilitonen!; Up-Close – review

  • Amsterdam Sinfonietta – review

February 2011

  • Van der Aa: Spaces of Blank; Mask; Imprint – review

    Michel van der Aa's first two discs on his own recording imprint are an impressive attack on musical conventions, writes Andrew Clements
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