Skip to main contentSkip to navigation

Alexis Petridis's album of the week

The Guardian head rock and pop critic's lead review from each week's G2 Film & Music
  • Cassandra Jenkins.

    Cassandra Jenkins: My Light, My Destroyer review – a beautiful, brooding delight

    ​Following her breakthrough in 2021, the singer-songwriter has overcome self-doubt to deliver a diverse album where loneliness is set against cosmic wonder
  • Kasabian.

    Kasabian: Happenings review – pivot towards pop could almost be Coldplay

    The lad-favourites shift into neon hues on their second Serge Pizzorno-led album, as knockout choruses face off against some disappointing filler
  • Disappearing act … Camila Cabello.

    Camila Cabello: C,XOXO review – Havana star​’s bad​-girl reboot​ is totally unconvincing

    Leaving behind gooey balladry and family-friendly fare, the US star’s reinvention owes a clear debt to Charli xcx but leaves her grasping for space on her own album
  • Like nothing you’ve heard before … Mabe Fratti

    Mabe Fratti: Sentir Que No Sabes review – rich, rewarding, spellbinding music from a true original

    The full-blooded and emotionally driven fourth solo album from the avant garde pop cellist is abundantly melodic, constantly surprising and unequivocally fantastic
  • Aespa.

    Aespa: Armageddon review – music is an afterthought in high-concept pop

    Cutesy melodies, dubstep basslines, pop-punk and disco on the K-pop foursome’s debut album are outshone by their intriguing world-building, with interdimensional rifts and alien popcorn
  • Trumpeting his years … Paul Weller.

    Paul Weller: 66 review – sumptuous rumination on older age springs some surprises

    In this elegiac 17th solo album made with guests including Noel Gallagher, Weller contemplates mortality with sun-dappled ballads – but there’s still an experimental edge
  • Billie Eilish

    Billie Eilish: Hit Me Hard and Soft review – still the great outlier of American pop

    On this deeply involving third album, Eilish once again breaks the rules for arena-filling artists: it’s subtle and understated, yet jars the listener with eerie show tunes and explosive noise
  • Dua Lipa.

    Dua Lipa: Radical Optimism review – ‘psychedelic pop-infused’? Pull the other one!

    The British superstar has said her new album is influenced by Britpop, rave culture and Primal Scream, but you could go mad trying to find the evidence
  • Back to black … St Vincent

    St Vincent: All Born Screaming review – the unmasking of a great American songwriter

    Are we finally seeing the real Annie Clark? Replacing alter egos with raw immediacy, she delivers one of her best albums: restlessly inventive and packed with ideas
  • Nia Archives - press handout image 2024

    Nia Archives: Silence Is Loud review – bold, fresh jungle unbound by tradition

    The Bradford producer confidently tethers her breakbeats to a pounding four-to-the-floor kick drum – which would have been unheard of in the 90s – on a pop-facing, innovative record
  • Understated power … Fabiana Palladino.

    Fabiana Palladino: Fabiana Palladino review – sublime 80s pop innovation meets 21st-century chaos

    The musician’s long-gestating debut album melds killer tunes to grimy distortion and the scuffed gloss of Jam and Lewis-era Janet Jackson, and marks the flowering of an original pop voice
  • The artwork for Cowboy Carter

    Beyoncé: Cowboy Carter review – from hoedown to full-blown genre throwdown

  • In no mood to compromise … Nico in 1967.

    Nico: The Marble Index/Desertshore review – an unforgettable trip to a very dark place

  • What happened to blue-sky thinking? … Shakira.

    Shakira: Las Mujeres Ya No Lloran review – revenge served disappointingly tepid

    Despite a hit diss track so withering it affected the stock market and enlivening turns from Cardi B and leading regional Mexican musicians, the Colombian’s wan 12th album washes out her adventurous spirit
  • Simmering anger at the state of things … Sheer Mag.

    Sheer Mag: Playing Favorites review – euphoric expansion by one of today’s great American bands

    What started life as a disco EP designed to help the band through personal difficulties has evolved into a refined, joyful take on their distortion-lagged rock
  • MGMT.

    MGMT: Loss of Life review – surprise TikTok stars play to their strengths

    The newly viral US duo seem to take inspiration from Bowie, Simon and Garfunkel and the Gallagher brothers on an album of glossy, impressively melodic psychedelic pop
  • Always surprising … Idles.

    Idles: Tangk review – a return to joy as an act of resistance

    It doesn’t all work, but there are plenty of smart, intriguing ideas as Idles prove they don’t just do howling fury
  • Kali Malone.

    Kali Malone: All Life Long review – music to blot out the world’s clamour

    Returning to the organ-playing that made her name and adding brass and vocals, the Thom Yorke-approved composer revels in the possibilities of her instruments
  • A delight … Emily Roberts, Lizzie Mayland, Georgia Davies, Abigail Morris and Aurora Nishevci of the Last Dinner Party.

    The Last Dinner Party: Prelude to Ecstasy review – the year’s most hyped band totally deliver

    The five-piece ground their Sparks-like tendency towards excess and musical theatre with consistently well-written songs primed for festival singalongs
  • Unsparing detail … (L-R) Samuel T Herring, William Cashion, Gerrit Welmers and Michael Lowry of Future Islands.

    Future Islands: People Who Aren’t There Anymore review – a brutal, beautiful breakup album

    The synthpop quartet’s heart-on-sleeve frontman, Samuel T Herring, is by turns lovelorn and lovestruck on their affecting seventh LP
About 499 results for Alexis Petridis's album of the week
1234...
  翻译: