Contemporary album of the month
Daniel Inzani: Selected Worlds review – unhinged, exhilarating adventures in genre-hopping
In his first major solo release, the pianist and composer explores the very different sides to his musical personality across three contrasting but connected LPs
Lance Gurisik: Proffer review – a heart-wrenching, genre-crossing compendium
The Australian composer’s latest offering is a mashup of electronica, minimalism, drum’n’bass and more – but it’s the orchestral tracks that really shine
Beyza Yazgan: Human Cocoon review – from Middle Eastern classical to American minimalism
(Imaginary Animals)
The Turkish-born, New York-based pianist’s new album uses the influence of Satie and Glass to respond to the earthquake that devastated Turkey and Syria
QOA: Sauco review – electro-acoustic jewels incorporate the sounds of nature
From the meditative serenity of waterfalls, birdsong and pulsing animal heartbeats to galloping tribal drums and rave-like samples, this is a pleasingly random collage
Ezra Feinberg: Soft Power review – trippy, bucolic and playfully minimal
Feinberg has moved from psychedelic rock to a hypnotic romanticism that invites us to share in its gently throbbing pulses and heart-tugging beauty
David Crowell: Point/Cloud review – minimalism that sparkles with joy
The New York multi-instrumentalist, who has played with Philip Glass and Steve Reich, shows great flair for making minimalism rich and harmonically complex
Michelle Moeller: Late Morning review – sparkling, ethereal sound manipulations
The US artist’s debut album mixes prepared piano with programmed synth effects in woozy harmonic compositions that soar and thrill
Ruth Goller: Skyllumina review – jazz bassist enters beatific and slightly terrifying new sonic world
In this solo project the stalwart of London’s jazz and improv scene is joined by a rolling cast of percussionists to create hypnotic, haunting patterns and demented nursery rhymes
Astrid Sonne: Great Doubt review – experimental viola player’s elliptical R&B
Some of her trademark instrumentals remain, but this new, interesting kind of R&B makes for exciting listening
Lea Bertucci: Of Shadow and Substance review – unearthly sounds that seem to capture geological time
The leading noise musician has teamed up with Quartetto Maurice to create an album that distorts acoustic instruments to create an eerie, apocalyptic freak-out
The 10 best contemporary albums of 2023
There was soothing minimalism and bowel-quaking low end as Neil Gaiman got some wonderfully quizzical accompaniments and Manchester’s answer to Sun Ra freaked out
Celia Hollander: 2nd Draft review – turns a piano into a new sound world
Hollander’s works sound simple but are incredibly detailed and multi-layered, her treated piano solos evoking wind, rain and air
Bex Burch: There Is Only Love and Fear review – messy minimalism that grooves hard
The percussionist shares characteristics with Steve Reich or John Adams, but intersects this with sounds from Mali, Bali and Latin America in a freakish fusion of jazz, techno and funk
Tomas Fujiwara: Pith review – incredibly detailed pieces go far beyond jazz
Patricia Brennan and Tomeka Reid’s unique talents are foregrounded in an album that spirals into ambient, post-rock and classical
Alabaster DePlume: Come With Fierce Grace review – sublime, minimalist improvisation
The saxophonist-poet offers a looser, more eclectic counterpart to last year’s Gold, backed by skilled musicians who explore to striking effect
Lance Gurisik: Cull Portal review – drones, drums and disruptive drama
Gurisik’s startling album – think Aphex Twin meets Keith Jarrett – combines jazz, electronica and contemporary orchestral music to compelling, coherent effect
Zeena Parkins: Lace review – delicately woven patterns of intricate beauty
The harpist and Björk collaborator showcases a conceptual work based on repeating figures of simplicity and discordant complexity – like Steve Reich played by a clown troupe
Wild Up – Julius Eastman Vol 3: If You’re So Smart, Why Aren’t You Rich? review – a deliriously great tribute
The LA collective Wild Up continue their celebration of the radical US composer with a wild and wonderful selection of minimalist-maximalist delights
Adjunct Ensemble: Sovereign Bodies/Ritual Taxonomy review – a disorientating act of resistance
Free jazz, opera, hymns and newscasts intermingle in an oddly compelling sonic collage addressing issues of asylum and migration
MultiTraction Orchestra: Reactor One review – spectral, alien improv
Norwegian trumpeter Arve Henriksen finally meets his match with Alex Roth’s superb band, who push the limitations of their instruments and shift between many registers
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