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Jon Savage on song

Each month, music critic Jon Savage takes an iconic pop song and examines the culture surrounding it
  • Scott McKenzie in the 1960s

    Scott McKenzie's San Francisco was a hippy anthem with a life of its own

    Jon Savage: San Francisco (Be Sure to Wear Some Flowers in Your Hair) didn't reflect the particular sound of the city itself. Not that this mattered – it was great pop and its idealism lives on
  • The Zombies

    Jon Savage on song: The Zombies – Butcher's Tale (Western Front 1914)

    Jon Savage: Colin Blunstone's first band does a great job of capturing the anti-war sentiment of the 1960s in this extraordinary song

  • lady gaga

    Lady Gaga's new gay anthem

    Jon Savage

    Has Lady Gaga's Born This Way got what it takes to be a classic gay anthem? Jon Savage on the debt she owes to a brave 1970s singer

  • Roy Harper in 1969

    Jon Savage on song: Roy Harper serves up Hors D'Oeuvres

    Folk might now be mass-marketed as the Tory rock-lite of Mumford & Sons, but 40 years ago Roy Harper made a record that was ambitious in arrangement and ferocious in sentiment
  • The Smiths

    Jon Savage on song: The Smiths' The Queen Is Dead is an anthem for our times

    The student protests of recent weeks have brought to mind the Smiths' 1986 state-of-the-nation address, which still rings proud in its portrayal of what it feels like to be an outsider

  • Jon Savage on song: Bobby Jameson rages against the Vietnam war

    Jon Savage: This garage-punk classic is a vehement statement against a war that, by early 1966, was spiralling out of control

  • Jon Savage on song: The Dovers open their Third Eye

    Jon Savage: Before the summer of love, the LSD experience was seen as dark and troubling. Along with the Byrds and the Beatles, the Dovers explored this intense, chaotic new world

  • Tomata du Plenty of the Screamers

    Jon Savage on song: The Screamers – 122 Hours of Fear

    Thanks to YouTube, this 70s synth-punk band who never released a record have finally found an audience

  • The Beatles in 1965

    Jon Savage on song: The Residents create the first Beatles mash-up

    The Residents' cut'n'paste collage is a sinister love letter to the Fabs, portraying the 1960s as both golden era and pop prison

  • Malcolm McLaren

    Jon Savage on song: Malcolm McLaren – Soweto

    After the break-up of the Sex Pistols, their former manager pursued the spirit of punk in the music of South Africa with this blast of a tune

  • Jon Savage on song: Section 25 – Looking from a Hilltop (Megamix)

    This soaring, epic single from the Blackpool band took early 80s electro to dizzy new heights

  • Jon Savage on song: Fingers, Inc – Mystery of Love (Club Version)

    Jon Savage: Timeless and transcendent, this visionary house anthem lives up to the ambitious promise of its title

  • Jon Savage on song: Cybotron – Techno City

    Jon Savage: Inspired by the dereliction of 80s Detroit, Cybotron projected themselves into the future to create Motor City machine music

  • Jon Savage on song: Soft Cell – Bedsitter

    Jon Savage: Arriving in the middle of Margaret Thatcher's first-term, this 1981 single reveals the desperation behind the shiny facade of London's newly swinging club land

  • London, UK: Fireworks over the Millenium Wheel on New Year's Eve 2008

    Jon Savage on song: Beverley's less than happy New Year

    Jon Savage: Full of sarcasm and sneer, Beverley's debut single showed that not all 60s pop was light and fluffy

  • Jon Savage on song: The Lines make a White Night of it

    Jon Savage: This obscure gem from 1978 succeeded in melding punk with psychedelia for a journey through a derelict, nocturnal city

  • Police tackle violence at the Notting Hill carnival

    Jon Savage on song: Shy FX unleash the beast

    Shy FX's Sound of the Beast, was one of the big tunes of the 1994 Notting Hill Carnival. This jungle track had roots in the past, but the police sirens and dive-bombing bass created a truly modern noise

  • Link Wray

    Jon Savage on song: Link Wray plays his Ace

    Jon Savage: The guitarist's 1963 single, Ace of Spades, was insistent, sinister and hypnotic – and it opened a new world of sonic distortion

  • The Byrds in 1965

    Jon Savage on song: The Byrds go nuclear

    Jon Savage: The Byrds' I Come and Stand at Every Door is a hypnotic and haunting song, told from the viewpoint of a child incinerated at Hiroshima

  • Jon Savage on Song: The Children sing for freedom

    Jon Savage: House music first gained popularity after the late 70's disco backlash. But rather than being just another dance fad, it became a way of life, as the Children's classic track proves

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