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Kitty Empire's album of the week

Album of the week reviewed by Kitty Empire

  • Billie Eilish at the Hit Me Hard and Soft album release listening party.

    Billie Eilish: Hit Me Hard and Soft review – could have hit even harder

    An impeccable mix of haunted earworms, zinging lyrics and dancefloor delights that end too soon, the American superstar’s third album seems to pull back from tantalising new horizons
  • Beth Ditto lying on her side with the two other band members behind her in semi-shadow

    Gossip: Real Power review – a welcome return that could be braver and weirder

    Beth Ditto-fronted US indie trio Gossip’s first album in 12 years feels strongly personal and political. Musically, though, it pulls its punches
  • John Squire and Liam Gallagher.

    Liam Gallagher John Squire review – chippy hauteur meets six-string pyrotechnics

    On this textbook collaboration that’s anything but, the Oasis singer and Stone Roses guitarist rearrange the DNA of their former bands to intriguing effect
  • The five-piece band Idles.

    Idles: Tangk review – the Bristol firebrands change tack – with an album of love songs

    There’s less seething, more singing as the Bristol band’s fifth album finds them evolving musically, artistically and emotionally
  • The Smile’s Jonny Greenwood, Tom Skinner and Thom Yorke.

    The Smile: Wall of Eyes review – agile, tuneful second album

    With strings and psychedelia added to the mix, Thom Yorke and Jonny Greenwood’s ever-evolving side project feels as dynamic now as their day job
  • Wet Leg press photo

    Wet Leg: Wet Leg review – absurdist delights and damp squibs

    The ribald charms of theIsle of Wight duo’s first two singles have been replaced by indie rock about rubbish exes on their surprisingly conventional debut
  • Adele
Press shot 2021

    Adele: 30 review – waterworks turned up to 11

    Taking raw emotion to the next level, Adele relives the year her marriage fell apart on this self-flagellating powerhouse of an album
  • Chvrches.

    Chvrches: Screen Violence review – full of fighting spirit

    The Glaswegian trio use horror film tropes to explore fame, double standards and battles closer to home on their intense fourth album
  • Bugzy Malone

    The Resurrection: Bugzy Malone review – highs and lows that catch you off guard

    After two brushes with death last year, the Manchester rapper has a lot to process on his starkly honest second album
  • Edward Wakili-Hick, Tom Skinner, Theon Cross and Shabaka Hutchings, AKA Sons of Kemet

    Sons of Kemet: Black to the Future review – an eloquent dance between anger and joy

    Shabaka Hutchings and co’s urgent fourth album lifts the spirits and feeds the soul
  • Annie Clark, AKA St Vincent.

    St Vincent: Daddy’s Home review – a compelling family affair

    Channelling 70s New York funk and her father’s release from prison, the ever brilliant Annie Clark loosens up on her soulful sixth album
  • Girl in Red Marie Ulven.

    Girl in Red: If I Could Make It Go Quiet review – calm before the storm

    Marie Ulven’s debut album is a quietly confident declaration of intent
  • Godspeed You! Black Emperor in Cambridge, Massachusetts, in 2018.

    Godspeed You! Black Emperor: G_d’s Pee at State’s End! review – requiems for a saner world

    With global events confirming their long-held worldview, the Canadian prophets of doom sound angrier, sadder and more beautiful than ever
  • ‘Clearly delighted’: Serpentwithfeet

    Serpentwithfeet: Deacon review – a swoon in the Californian sun

    This poppy, life-affirming ode to gay domestic bliss is a paean to black people ‘living their damn life anyhow’
  • Lana Del Rey.

    Lana Del Rey: Chemtrails Over the Country Club review – bold and beautiful

    On this strikingly assured seventh album, Del Rey reflects on fame, love, loneliness and the solidarity of fellow female songwriters
  • Warren Ellis (left) and Nick Cave

    Nick Cave and Warren Ellis: Carnage review – the firebrand returns

    The grief remains, but Cave’s hunger for retribution is back too, heightened at every turn by Ellis’s strings, on this wild, writerly masterpiece
  • Celeste

    Celeste: Not Your Muse review – a debut with occasional hidden depths

    Some bold moments reveal the soul singer’s potential to be more than the voice of TV jingles and Adele stop-gaps
  • Barry Gibb

    Barry Gibb and Friends: Greenfields: The Gibb Brothers Songbook Vol 1 review – a missed opportunity

    The last surviving Bee Gee takes the easy route with these glossy, country-inflected retakes of their greatest hits with Dolly Parton, Sheryl Crow et al
  • Paul McCartney

    Paul McCartney: McCartney III review – light from the bunker

    The former Beatle’s latest offering possesses the same playful spirit as his 1970 solo debut
  • Neil Young with white carnation on his microphone during encore on Time Fades Away tour, unknown location, March 1973

    Neil Young: Archives Vol II: 1972-1976 review – guitar duels, live jams and onstage banter

    This long-awaited box set captures the Canadian grappling with fame while boldly pursuing unfamiliar sounds and moods
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