Kraftwerk's The Catalogue
German electronic music pioneers Kraftwerk play eight live performances in Tate Modern’s Turbine Hall in their first London dates since 2004
Kraftwerk at Vivid Live 2013 – review
Brian Ritchie: Kraftwerk continue to surpass all competition. It's difficult to imagine anything embodying Vivid's theme of 'light, music and ideas' with more finesse
Kraftwerk at Tate Modern, night eight: Tour de France
Kieran Yates: Kraftwerk join up the dots between electronic music past and present for a thrilling finale to their Tate Modern shows
Kraftwerk at Tate Modern, night seven: The Mix
Michael Hann: Kraftwerk's The Mix album supports the idea that they're about the present, not the future – but it does frontload their show
Kraftwerk at Tate Modern, night six: Techno Pop
Rebecca Nicholson: It may be their least beloved album, but it proves to be a revelation for a Kraftwerk newcomers
Kraftwerk at Tate Modern, night five: Computer World
Dorian Lynskey: Past the halfway mark, and so to the album where Kraftwerk's command of their art was at its greatest
Kraftwerk at Tate Modern, night four: The Man Machine
Tim Jonze: When you get this close to Ralf Hütter, earthly realisations occur. Very earthly realisations
Kraftwerk at Tate Modern, night three: Trans-Europe Express
Three nights in, five to go, and it's clear Ralf Hütter is using the Catalogue performances to rethink and recontextualise Kraftwerk – but it doesn't always work
Kraftwerk at Tate Modern, night two: Radio-Activity
A night of sepia-tinted futurism that evokes our multiple pasts, from the 1920s to the age of the microcomputer, writes John Harris
Alexis Petridis: you could ask if it's fitting that a band who seemed so forward-looking now appear consumed by their past – but the quality of the music is beyond question
