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The music essay

Each month Guardian writers look at musical topics in depth, exploring new trends, unpicking prevailing assumptions and challenging music history

  • ‘Beyond the idea of making indie-disco music for students to sink pints to’ … Gordon Moakes, Kele Okereke, Russell Lissack and Matt Tong in 2005.

    ‘I will outshine them all’: the enduring genius of Bloc Party

    As US pop-punk band Paramore claim the London band as the primary influence on their new album, we look at how Bloc Party bridged the gap with emo – and continue to inspire young artists today
  • ‘Mitchell refashioned her artistic compass towards the future’ … the singer performing at Wembley Arena in 1983.

    Joni Mitchell’s 80s: how the Canadian songwriter became a fearless, futurist auteur

    Some viewed Wild Things Run Fast, which turns 40 next month, as a betrayal of her roots. Looking back, the reality is far more complicated
  • New Orleans Jazz & Heritage Festival 2010 - Day 2<br>NEW ORLEANS - APRIL 24: Dr John performs with Davell Crawford in the Blues Tent on day two of New Orleans Jazz & Heritage Festival on April 24, 2010 in New Orleans, Louisiana. (Photo by Clayton Call/Redferns)

    Gris-gris enigma: can a new posthumous release shed light on the elusive genius of Dr John?

    How did a middle-class white kid break into New Orleans’ feverish 1950s R&B scene and enjoy a wildly eclectic six-decade career? As a new release puts it: things happen that way
  • ‘How to draw the listener close while still carrying a lustre?’ … (L-R) Joy Crookes, Harry Styles and Gwenno.

    All back to mine: Harry’s House sets domestic tone for 2022 Mercury prize

    Harry Styles’s high-end lockdown album is surprisingly of a piece with other longlisted albums by artists as distinct as Joy Crookes and Gwenno
  • ‘Country has been in dialogue with African music more or less from its commercial outset in the US’ … a still from documentary Dusty &amp; Stones about a country music duo from Eswatini in southern Africa.

    The devil went down to Gambia! The surprising history of African country music

    When a Zimbabwean Twitter account posted images of wedding guests moonwalking to Kenny Rogers, many were surprised. But the ties between US country and Africa reach back to its commercial outset
  • Tion Wayne and La Roux, digital composite image

    Amid a rash of cheesy samples, is UK rap running out of ideas?

    UK rappers are plundering 00s choruses to help their tracks up the charts. Whether a cheeky ploy or a failure of imagination, it’s a marker of how the scene has grown
  • Unlikely superstars … My Chemical Romance in 2005.

    My Chemical Romance: how the vilified band turned antipathy into triumph

    MCR split but survived emo’s moral panic to leave a shining legacy for all outsiders – especially young people struggling emotionally or those who refuse gender binaries
  • Adele, FKA twigs and Jazmine Sullivan, who have all embraced the voice note on their recent albums.

    Sex stories, purgatory and Adele’s tears: the album skit is back

    Keen to re-establish the album in the age of the playlist, artists are peppering their work with voice notes and sketches – to profound and annoying ends
  • Charley Pride performs on a TV show, London, February 1975. (Photo by Michael Putland/Getty Images)

    Charley Pride: how the US country star became an unlikely hero during the Troubles

    Tammy Wynette and Johnny Cash cancelled gigs in Belfast during the violent 1970s, but Pride played on – and, with his song Crystal Chandeliers, became a sensation in the north and the Republic
  • Musical comedy … Bo Burnham, Florence Shaw from Dry Cleaning, and Jimothy Lacoste.

    Collapsed laughing: how the gap between music and comedy has disappeared

    Comedy and music have always co-existed – but with artists from Dry Cleaning to Bo Burnham cleverly blurring the two, it’s hard to tell where the jokes begin and end
  • I just wanna go back ... Billie Eilish, Lorde, Haim (top row), with Dido, Natasha Bedingfield and Savage Garden (bottom row).

    Bring it all back: why naff noughties pop is suddenly cool again

    Perhaps longing for a more carefree era, artists such as Lorde, Billie Eilish and Haim are fondly looking back to when S Club 7 and Shania Twain frolicked in low-rise denim
  • ‘She seemed to be letting herself play around – throwing things out there and seeing what stuck’ ... Beyoncé pictured during her Glastonbury headline set, 26 June 2011.

    Beyoncé’s 4 at 10: the album that set the stage for her cultural domination

    Her first album since she split from her manager father, 4 marked the beginning of Beyoncé’s artistic freedom, creative control and business empire
  • Johnny Cash on The Johnny Cash Show in 1970.

    Man in Black at 50: Johnny Cash’s empathy is needed more than ever

    The country star is not always remembered for his politics, but his about-face to withdraw support for Nixon and the Vietnam war may be his finest moment
  • The cover of The Who Sell Out, with Pete Townshend and Roger Daltrey.

    The Who Sell Out: still a searing satire on pop’s commercial breakdown

    Filled with product placement and advertising, the band’s newly reissued 1967 album put the pop in pop art, by showing how closely music was entwined with capital
  • Bruce Springsteen in 1984, the year of Born in the USA, which was appropriated by the right.

    Rockin' in the free world? Inside the rightwing takeover of protest music

    It’s easy to laugh at hardcore patriots misunderstanding Bruce Springsteen’s Born in the USA, but such appropriation is increasingly widespread – and dangerously twisting the truth
  • Danny L Harle and his alter ego DJ Danny.

    Can Danny L Harle reinvent hard dance for a new generation?

    The British producer’s debut album is a perfect simulacrum of gabber, hardstyle, trance and more – but it lacks the overdriven ferocity of the genres it imitates
  • ‘To gain power, and crucially, to retain it, you need a reserve of it to begin with’ ... (L-R) Britney Spears, Beyonce and Rihanna.

    Britney Spears: another pop princess trapped in a man-made fairytale

    One contributor is notably absent from the new film about Britney: herself. But from Rihanna to Beyoncé to Taylor Swift, female stars have always struggled to tell their stories
  • A 1995 shot of David Bowie by Kate Garner, in a new series with Zebra One Gallery.

    'His life is a rebuke to cynicism': what five years without David Bowie has taught us

    In his song Five Years, Bowie imagined a dying Earth. Five years on from his death, it seems to have come true – yet he continues to uplift us
  • Keeping it real? BTS.

    Map of the soul: how BTS rewrote the western pop rulebook

    Contrary to their dismissive framing as manufactured robots, South Korea’s BTS use social media, documentary and storytelling to make themselves into profoundly human stars
  • Sententious pedantry or pretentious and sedentary? Idles, left, and Fat White Family.

    Idles v Fat White Family: what the indie showdown tells us about class

    The two bands have variously clumsy and bracing things to say about class, race and Britain – but they are at least connecting to something bigger than themselves
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