Tom Ewing: Drake might not have any obvious connection to Bon Iver and James Blake – but they all inhabit a private world to which you, the listener, are not invited
Why did David Bowie scupper the idea of an O2 musical?
Tom Ewing: Glam, new-wave sci-fi, neurotic lushness – the problem with making a preposterous 'jukebox musical' about Bowie is that he's done it all already
Tom Ewing: If teenagers today feel that a grazing, sharing and cloud-driven way of relating to music is the norm, some new technology will soon upend that
It's not Disco Inferno's talk of cities on the brink of meltdown that makes their songs seem prescient, but more how fragile they sound, writes Tom Ewing
Will Adele's success lead to another undignified music industry scramble?
Tom Ewing
Tom Ewing: Surprise hits such as Adele's 21 tend to have bad consequences: an eager music industry latches on to surface qualities and gets ready to flood the market