Blessing Ishioma Egba’s Post

Making a film for the first time can be overwhelming. Especially when you sit and think about: ~ Getting a good story; ~ Getting the right screenwriter who will pen your story to perfection; ~ Getting the right crew that understands the vision and is willing to team up with you to bring it to life; ~ Getting the right cast that will interpret the role perfectly; ~ Securing funds; ~ Getting the right location, equipment, and many more. Honestly, imagining all this alone is daunting. But here is one thing I always tell my clients when they complain to me. TAKE IT ONE STEP AT A TIME. Start with getting the right story. That one story that you are excited to tell and you strongly believe that your target audience would easily relate with. Then proceed to engage a suitable screenwriter for it. Trust me, a compelling story that is scripted well would have little or no issue attracting the right talents and investors. Then take your time to create a strategic and convincing pitch for your shortlisted investors. Before you know it, what seems like an insurmountable mountain will become a piece of cake that can be chewed bit by bit. Trust me, the fear is in the overthinking. Take one step this week and another next week and before you know it, you will be announcing your release date. Try it, it works like magic. Always remember, your favorite film lawyer is rooting for you💪💪 Quick question, how did you get over the overwhelm when you made your first film? Share your experience with us in the comments. PS: Inspire at least one filmmaker today by sharing this post. _ _ _ _ _ Hi, my name is Omotayo, I help scriptwriters and filmmakers like you protect and monetize their content and brand to enable them create generational wealth. Follow me Omotayo Queen Inakoju to get free tips on how to build a profitable and legally protected film business. #filmmaker #filmproduction #scriptwriter #filmlawyer #nollywood

Storytelling is what I love most.

"If I had known the script was this good, I would have read it earlier." A casting director made that joke to me a few years ago about The Sleepless. And it IS funny, because it's so hard to know when a script is worth your time. There are just so many out there being pitched. Now that I'm producing more, I understand this even more clearly. But can we really say: "Hey. This is actually good" to someone? I've done it recently. I'm also pointing to the ratings and reviews of my films on IMDb and elsewhere. So much is out of our control in the film business, and in business in general. But the quality of our work is something we can greatly influence. There's two ways to go about it, that I've found: 1) Grind away at a script or a film until it's brilliant 2) Stay the course until brilliance comes on its own I didn't write many drafts of The Sleepless. It's not a perfect film, but it has been pretty well-received. Something about it just works, for the people it's meant for, especially. That doesn't happen without the 100+ drafts of all the other screenplays that came before it. Or the many other productions I've directed and produced, both in film and as a video marketer. Confession... When I do read scripts that are sent to me, they don't often impress me. (Sorry, but it's true). You have to get REALLY obsessed to stand out, IMO. There are healthy and unhealthy ways of doing that. I've tried both, and am trying to be healthier. But, yeah, that would be my single biggest piece of advice to aspiring or growth-minded writers, directors, and producers. Write the living hell out of that script, or find someone who can. Don't quit until it glows. Things can move pretty quickly once you've got that. PS: I am available for writing assignments, doctoring, and consultations on how to get your movie made. I also have a shiny rom-com ready to go at $3-6M. Tell Netflix. #indiefilm #independentfilm #filmmaking #filmmaker #filmproducer #filmdirector #startupfilmmaker #creators #creatoreconomy

-Loglines- When starting to do script coverage fresh out of film school, I used to think that writing a second logline for a script was a waste of time, especially when a script would come with a pitch deck. I mean, there’s already one included! But in the interest of staying professional (and keeping my job lol) I brushed that thought aside and just kept at it, until it slowly dawned on me that what I take from a script doesn’t mean that’s what the screenwriter intends. Just like a painting or a good book, part of the art is what's being presented, but another part is what we take from it, and the same thing works for film. When I get a pitch deck with a script, I try to read and write my logline first before any other influence on the story. Does my logline match the pitch deck? If not, is that a bad thing? There’s no hard yes or no answer, and that’s part of the point of getting coverage. A secondary logline from a Screenwriter’s perspective lets them what people take from their story. Is Sons of Anarchy really only about a motorcycle club? From a Producer perspective, looking at your logline compared the coverage allows them see what you are intending and what an audience might take from your story. That’s going to influence production details, casting, marketing, and more. And btw, my absolute favourites are from those “Poorly written logline” subreddits. Some are absolute gold! What are your thoughts on what we take from stories vs what’s actually printed? Have you ever taken more from a story than what was just written?

One of the reasons why films don’t turn out great is because, (especially in advertising), shoots happen mechanically. A huge storyboard is stuck in the corner, and everyone on the set simply tries to replicate the frame. And it’s natural because generally there’s no next day of the shoot. What it does is, it tends to eliminate every organic possibility that a live set brings. Moreover, scripts are treated like gospel, and the creators tend to think that they have already figured the whole thing out. And in such a practice, one of the biggest factors is ignored: that a lot of people are freshly approaching your process, especially actors. Trained actors. And I have a feeling that every actor is, somewhere, a writer. Every actor has the ability to improve the script or alleviate its weak points with minute interactions. One trick to accessing their reservoir of ideas is to observe them closely without letting them know. Sending assistants to spend time around them when they rehearse the script. Because that’s where they tend to connect the dots between the pages in their hands and the lives they live. Once you know where the actor is coming from, what bank of emotions that individual is drawing from, the process of directing becomes easier and more creative. After that, it’s about finding a way to let the actor feel what’s written on your paper. The performance they deliver is twice as natural and intriguing as a mere recitation of lines written on the paper. #FilmmakingInsights #OrganicFilmmaking #ScriptEnhancement #ActorAsWriter #CreativeCollaboration #ObservationalDirecting #EmotionalPerformance #AuthenticFilmmaking #ActorInsights #BeyondTheStoryboard

request to all ad film makers please remove or delete film maker tag or film producer tag from your LinkedIn info... cause of.. many of film (specific) story writer try to connect with you.. the genuine reason is he also connect with you to work out his story through you.. because he is enjoy his life to emaginaton what he thaught.. but when he try to communicate with you he realise you are just an ad film maker but after all that communication he realizes that he is going the wrong way.. the basic need required is.. producer or film maker. which can justify to his vision. but you are not.. (as a film story writer) not your professional attributes.. #filmstorywriters# producers# advertisingaganecy#filmproducer# filmdirector# fakeagency# thewholebullshit ad film makers / producers are not going through life challenges. he is just try to prove his assigned package is better than any other brand either brand we are here to grow our bandwidth not our quantity wise reach. please share if you agreed

Hello, fellow magicians! In my journey as a film editor, I've learned that watching more allows us to know more. The things we watch often become ingrained in our subconscious and come into play when we need them. I remember a specific instance while working on a project when we were struggling to perfect an action sequence. I recalled elements from Indian action sequences, my favourite style, such as fast cuts and slow motion. These ideas came to mind because of my exposure to such techniques. It's important not to underestimate the impact of these elements. They played a crucial role in enhancing the scene, and I believe they are valuable tools for any editor. I'd love to hear your thoughts on this! Feel free to share your opinions in the comment section below. ______________________________________________ I am a film tutor, film editor, and visual storyteller. Follow me, Ayowole Solomon, for valuable insights on enhancing your skills as a narrative editor. #filmmakers #visualpostproduction #filmeditor #tipsforeditors #tipsbyhon

Filmmaking was on my list, but writing was my first and only love. Then how did I become a filmmaker? What made me live, breathe, eat and drink cinema? Well, any path from point A to point B involves different influential people, movies, situations, stories, dreams and whatnot. Similarly, from writing long poems on my notepad, articles on almost everything on MS Word, several screenplays and an entire book to making a series, a feature film and several short films, the following films and filmmakers happened to me, changing the course of my life: 1️⃣ The Dark Knight - Christopher Nolan's superhero masterpiece happened to me in high school. However, its repeat viewings slowly pulled me in and the realization that a superhero film didn't only need VFX and high octane action in every few minutes was the ultimate push. 2️⃣ Eraserhead - David Lynch's debut film and the story behind its making was a major factor for me to choose the cinematique life for myself. The gorgeous sound design and the astonishingly surreal storytelling felt like home! 3️⃣ Oye Lucky Lucky Oye - An odd entry into the list. Watching world cinema had me overthinking about why I love this oddball Hindi mainstream film so much. Over the years and watching this masterpiece over 20 times made me realize it was how such a layered story with such amazing characters and dialogues could be told as a mainstream Hindi film was a revelation! 4️⃣ Inglorious Basterds - I couldn't finish a list of my favourite films without a Tarantino film. My inspiration for dialogue writing and 'i don't give a fuck' attitude about designing non linear narratives is among a thousand reasons why Tarantino has been one of the most crucial factors behind my love for making cinema. 5️⃣ Kaagaz Ke Phool - Do I need to say anything about this masterpiece? Right up there with the likes of all time classics, Guru Dutt's magmum opus made me feel things no other film ever could. These films played a decisive role in me deciding that 'filmmaking was it!' Perhaps, me being a filmmaker will always be an ode to the films and the filmmakers I have loved. I would love to know which films made you fall in love with cinema! #filmmaker #films #filmmaking #writer #moviebusiness

If you are a filmmaker, this is for you👇 As we enter a new month, I sincerely wish that: 1️⃣ You come up with an idea that would propel your career into undeniable relevance; 2️⃣ You don’t struggle for funds, but they are willingly offered to you; 3️⃣ Even before you release your film, distribution offers are falling into your laps; 4️⃣ You connect with a creative team that will not only make your job easier but add value to your projects; 5️⃣ More importantly, you are blessed with monetization strategies that will convert your small production into generational wealth. Share this post with at least one filmmaker that you truly wish well. Happy new month from your favorite film lawyer🤗🤗 PS: What’s your favorite wish, type it in the comments. _ _ _ _ _ Hi, my name is Omotayo, I help creatives like you protect and monetize their content and brand to enable them create generational wealth. Follow me Omotayo Queen Inakoju to get free tips on how to build a profitable and legally protected film business. #creative #filmmaker #scriptwriter #newmonth