Goodman Theatre’s Post

Did You Know? Before its transformation into the Empire Arts Center, it was first called the New Grand. The New Grand stood as the first theatre in Grand Forks designed specifically for showing motion pictures. Currently, the Empire is the city's last surviving downtown movie house! For more information about the Empire Arts Center and our history, visit the link in our bio #gfiscooler #grandforks #greatergrandforks

I think this is probably our best offer for clients. For a modest fee, arts organisations are able to join us to drive their inclusion and diversity work. As ever, we move beyond the obvious issues of unconscious bias etc. into the gritty topics which can prevent or advance organisational success. We cover 11 separate topics including: ·        How to deliver inclusion on a budget ·        Recruiting and hiring inclusively ·        Engaging your Board ·        Supporting your employee resource groups ·        Exploring representation in audiences Each organisation can bring 5 people which means collaboration. Collaboration within the organisation and across the cohort of organisations which take part in this programme. Sessions are recorded for access purposes meaning people can dip into the learning when they are ready, or go back and check something. Such great value. Not for you, share with someone who it might benefit. #learning #equitydiversityandinclusion #culturechange #inclusionstrategy #diversity #arts #performingarts #development

🎭 🏢 Public Art And Social Value in Urban Development 💭 Let's talk about the role of theaters as public spaces 📰 In our latest article, we discuss how theaters can enhance urban development by integrating cultural and social values into city life. It emphasizes the use of re-programmable spaces in theaters to foster community interaction and align with ESG reporting standards. 💬 Check it out and tell us what you think: https://lnkd.in/d-mMKW23 #NoUnicornYet #NUYBlog #Theater #UrbanDevelopment

Take the empty space. #wednesdaywisdom Call it whitespace, a gap or opening, call it a margin. Whatever you call it… it is opportunity. I read Peter Brook’s THE EMPTY SPACE a few times. Published in 1968, it’s still a great book today, particularly if you are in the performing arts. Highly recommend. If you aren’t involved in theatre it may not be worth the read; but you can certainly gain inspiration by some of its concepts. Particularly this theory by Brook: “A stage space has two rules: (1) Anything can happen and (2) Something must happen.” SOMETHING MUST HAPPEN The inevitability of “the empty space” being filled in some way provokes us to ask ourselves: “How am I going to SHAPE it?” When we start to look at CREATING as SHAPING, we have inertia on our side and our task can be less daunting. Anything can and something must happen with our: Salesforce pipeline Property branding Recruiting efforts LinkedIn content Tradeshow hours Discovery calls Google slide deck Lease renewal letters Podcast recordings Salesloft campaign Property design and blueprint It WILL happen. How are we SHAPING what happens? What empty spaces are YOU claiming? Take the stage, my friends! #motivation #multifamily #sales #theatre

Would be curious for thoughts here. As arts and nonprofits face new challenges with AI, what happened the last time the world was faced with a change so drastic? Comment below!

In our productions the actors on stage become a mirror reflecting the human experience and the stories unfolding can often be the awakening of something dormant within ourselves. "Theatre can make us believe, not just in something 'out there', but predominantly in something 'in there', inside of each and every one of us." Theatre has always been more than just a performance; it's a communion of souls, a shared exploration of the human condition. As the characters come to life, you will not be merely spectators, but active participants in the unfolding drama. Through their triumphs and tribulations, joys and sorrows, we catch glimpses of our own struggles and victories mirrored in their stories. Each performance is a mirror held up to our own lives, inviting us to confront our fears, embrace our vulnerabilities, and celebrate our strengths. In the hushed moments of revelation, we find echoes of our own innermost thoughts, fears, and desires reverberating through the theatre walls. For in the sacred space between the stage and the audience lies the power to believe—not just in something 'out there', but predominantly in something 'in there', inside each and every one of us. #TheatreLife #ActorsLife #StageReflections #TheatreMagic #EmbraceVulnerability #CelebratingStrengths #TheatreInspiringChange

In our productions the actors on stage become a mirror reflecting the human experience and the stories unfolding can often be the awakening of something dormant within ourselves. "Theatre can make us believe, not just in something 'out there', but predominantly in something 'in there', inside of each and every one of us." Theatre has always been more than just a performance; it's a communion of souls, a shared exploration of the human condition. As the characters come to life, you will not be merely spectators, but active participants in the unfolding drama. Through their triumphs and tribulations, joys and sorrows, we catch glimpses of our own struggles and victories mirrored in their stories. Each performance is a mirror held up to our own lives, inviting us to confront our fears, embrace our vulnerabilities, and celebrate our strengths. In the hushed moments of revelation, we find echoes of our own innermost thoughts, fears, and desires reverberating through the theatre walls. For in the sacred space between the stage and the audience lies the power to believe—not just in something 'out there', but predominantly in something 'in there', inside each and every one of us. #TheatreLife #ActorsLife #StageReflections #TheatreMagic #EmbraceVulnerability #CelebratingStrengths #TheatreInspiringChange

I have discovered a new form of team builder:

**Celebrating 35 Years of Inclusive Theatre with Back to Back Theatre 🎭** We draw immense inspiration from pioneers like Back to Back Theatre, a Geelong-based ensemble leading the charge in inclusive theatre. For over three decades, this remarkable company has not only put neurodivergent and artists with disability in the spotlight but also passionately challenged societal attitudes toward disability and neurodiversity. Founded in 1987, Back to Back Theatre showcases the rich narratives of artists who have historically been side-lined in the arts sector. Their latest critically acclaimed production, “The Shadow Whose Predecessor Died”, exemplifies the unique, compelling perspectives these artists bring to the stage. But their impact doesn’t end with curtain calls. Back to Back Theatre extends its influence through essential training and mentorship for emerging artists, ensuring a lasting legacy and a progressively inclusive future in the arts. As they mark their 35th anniversary, it's clear there's still much work to be done. Artistic Director Bruce Gladwin reminds us, “We're still fighting for the same things we were fighting for 35 years ago.” Yet, despite hurdles, their unwavering commitment lights the way forward. We believe in learning from such trailblazers. How can we, across all industries, foster similar environments of inclusivity and diversity? 🤔 Sharing your insights and experiences can spark further change! #InclusiveArts #BackToBackTheatre #DisabilityInclusion #Neurodiversity #Path2LifeCare #ArtsAndCulture #SocialImpact #NDIS #Disabilitysupport

I was fortunate enough to be awarded the Stuart and Normal Leslie Churchill Fellowship (2023) Winston Churchill Trust (Australia), which allowed me to embark on an incredible research trip earlier this year across Chile, the United States, and the United Kingdom. My research focused on how to create extraordinary professional ‘public theatre’ with, for and by community. During my travels, I had the privilege of working with and learning from leading theatre companies, particularly examining large-scale public theatre initiatives such as the Public Theatre's Public Works Program in New York and the National Theatre's Public Acts in London. Additionally, my research explores the significant impact of smaller theatre company initiatives like Woolly Mammoth in Washington and Common Wealth in the UK - who create exceptional theatre works, deeply rooted in community engagement. The report I have written advocates for the expansion of community-engaged theatre within professional spaces in Australia, drawing on successful international models. It highlights the profound cultural and social benefits that such practices can bring, and offers strategic insights into how these successes can be adapted to different cultural contexts within our own country. The findings emphasize the transformative power of theatre as a catalyst for societal engagement and sectoral evolution. It also speaks to a proposed model of working which I believe holds great potential for Australia, blending the strengths of both large and small-scale endeavours. I am deeply committed to opening up a dialogue on how we can break down structural and financial barriers to make the performing arts more accessible, create improved pathways for artistic creation, and support theatre companies in diversifying and becoming more inclusive. This research is a step toward fostering informed practices in these areas. My report is in the link below. Very excited to share. #winstonchurchilltrust