NOLA MusiCon’s Post

Attention all music lovers and industry disruptors! Introducing an exciting new business venture that is set to revolutionize the music festival landscape. Our groundbreaking music festival is not just about great music, but also about promoting fair pay and equal access for independent performing artists. In an industry plagued by predatory practices, our mission is to challenge the status quo and create a platform that champions the artists' rights. By organizing an annual music festival, we aim to provide fair compensation to artists while fostering a community based on equitable treatment and opportunities in the industry. Imagine a multicultural, multigenre event that celebrates diversity and empowers independent artists. With your support, we can establish and operate this pioneering festival, creating a space where talented musicians can showcase their skills and be duly rewarded for their artistry. By joining forces with us, you will not only contribute to the success of this exciting venture but also be part of a movement that seeks to revolutionize the music industry. Together, we can redefine the way artists are treated and ensure they receive the recognition they deserve. Invest in our mission-driven festival today and help us shape a brighter future for independent performers. Let's make fair pay and equal access a reality in the music world! — Are you tired of seeing talented independent artists being exploited and undervalued by the music industry? Our groundbreaking music festival is here to challenge the status quo and create a fair and inclusive platform for artists to showcase their talent. Our mission is simple: to promote fair pay and equal access for independent performers. By organizing an annual music festival, we aim to not only provide artists with a platform to showcase their work, but also ensure they receive fair compensation for their performances. We believe that every artist deserves to be properly compensated for their hard work and dedication. But our festival is about more than just fair pay. It's about building a community based on equitable treatment and opportunities in the industry. We are committed to creating an environment where all artists, regardless of their background or genre, have an equal chance to succeed. With your support, we can establish and operate this multi-cultural, multi-genre event that will not only entertain audiences but also challenge the predatory nature of the music industry. Join us in making a difference and supporting independent artists who deserve to be recognized for their talent. Together, we can create a more equitable future for the music industry. please feel free to reach out via dm or use the comment section below for more information.

Prior Information Notice - Music Sector Network Capacity Building.  West Yorkshire Combined Authority We propose to engage a Service Provider to support the establishment of a West Yorkshire Music Network, as part of the You Can Make It Here (YCMIH) suite of skills and business support for the creative industries. The network will: • Convene music industry professionals in the region to support knowledge-sharing activities, identify sector needs, priorities and opportunities to support sector growth. • Raise awareness of funding, career and business development opportunities within the regional music sector, and signpost to resources. • Referrals into YCMIH Freelancer and micro business support. • Increase the diversity or the WY music sector workforce, with outreach activity to communities that face barriers to opportunities. • Direct those within the regional music sector to relevant support in business growth and career development (WYCA, LAs, sector bodies). • Ensure activity has impact across the whole West Yorkshire region, maintaining relationships with LA culture, skills and music education Officers in each area. • Feed music sector insight to the WYCA Culture, Heritage & Sport Committee, WYCA Culture & Skills team, and Mayor of West Yorkshire. • Engage and champion the needs of the regional music sector with national music orgs, such as UK Music, Musicians Union, Live Music Group. • Maximise the impact and reach of recent inward investments in music in West Yorkshire (e.g. EMI North, Tileyard, Brit School North), by signposting opportunities for engagement, and providing an accessible contact point for future investors. • Attract national music sector activity into the region (conferences and sector events). • Represent West Yorkshire at national and international music trade and expo events. • Promote sustainable practice within the music sector. • Identify and secure funding to become self-sustaining beyond the term of the You Can Make It Here scheme. Value excluding VAT: £140000.00    Estimated date of publication of contract notice: 30/05/2024 If you intend to bid and require any support with making applications, please contact lisa@bidrightuk.co.uk

Prior Information Notice - Music Sector Network Capacity Building.  West Yorkshire Combined Authority We propose to engage a Service Provider to support the establishment of a West Yorkshire Music Network, as part of the You Can Make It Here (YCMIH) suite of skills and business support for the creative industries. The network will: • Convene music industry professionals in the region to support knowledge-sharing activities, identify sector needs, priorities and opportunities to support sector growth. • Raise awareness of funding, career and business development opportunities within the regional music sector, and signpost to resources. • Referrals into YCMIH Freelancer and micro business support. • Increase the diversity or the WY music sector workforce, with outreach activity to communities that face barriers to opportunities. • Direct those within the regional music sector to relevant support in business growth and career development (WYCA, LAs, sector bodies). • Ensure activity has impact across the whole West Yorkshire region, maintaining relationships with LA culture, skills and music education Officers in each area. • Feed music sector insight to the WYCA Culture, Heritage & Sport Committee, WYCA Culture & Skills team, and Mayor of West Yorkshire. • Engage and champion the needs of the regional music sector with national music orgs, such as UK Music, Musicians Union, Live Music Group. • Maximise the impact and reach of recent inward investments in music in West Yorkshire (e.g. EMI North, Tileyard, Brit School North), by signposting opportunities for engagement, and providing an accessible contact point for future investors. • Attract national music sector activity into the region (conferences and sector events). • Represent West Yorkshire at national and international music trade and expo events. • Promote sustainable practice within the music sector. • Identify and secure funding to become self-sustaining beyond the term of the You Can Make It Here scheme. Value excluding VAT: £140000.00    Estimated date of publication of contract notice: 30/05/2024 If you intend to bid and require any support with making applications, please contact lisa@bidrightuk.co.uk

Posting on behalf of Music Australia: Make it count and participate in the Australian Music Economic Impact Study.   Disabled musicians make up an important part of Australia’s music sector. But this contribution is not always recognised.   Music Australia wants to ensure your work is counted in the first ever national, industry-wide picture of music in Australia, in all its breadth and complexity. The results will provide information to help us all advocate for the best outcomes for the music industry. It will also inform decisions about funding and investment.   Help ensure the results are reflective of the entire music community by sharing your part of the story and completing this survey.    The core part of the survey should take 5-10 minutes to complete, a little longer if you wear multiple industry ‘hats’. You will also be invited to answer some more questions if you have time.   The survey is anonymous and confidential, so you won’t need to give your name.   Click on the link below by 30 September to ensure your contribution is included. https://lnkd.in/g5ieFTep

UK Music Ltd, the collective voice of the music industry, has launched its 2024 Workforce Diversity Survey. The survey tracks progress to boost diversity and inclusion in the UK’s music industry.  This survey focuses on those who work behind the scenes in the industry, rather than those who are on stage. Led by UK Music’s Diversity Taskforce, the survey collates data from across the music business including studios, management agencies, music publishers, major and independent record labels, music licensing companies and the live music sector. Launched in 2016, the findings of the survey give the music industry, Government and other stakeholders a critical insight into where improvements are needed regarding diversity and inclusion – and highlights where positive change is already under way. The survey takes place every two years and UK Music will publish the results of the survey later this year as part of a report.  To get the most accurate picture of the diversity of the industry we need everyone working in the industry to fill this survey out. Fill out the survey here: https://lnkd.in/eGnCqMkd

💥 URGENT MESSAGE FOR ARTISTS 💥 CB Baby, Tunecore and Distrokid are music distribution services that offer digital distribution to independent artists. While these services can be valuable for artists who are just starting out or for those who are looking to release music independently without the support of a major label, there are some potential drawbacks to these services that artists should consider. Firstly, these services often charge a fee for their services, which can be a significant expense for independent artists who may not have much of a budget. While this can be an acceptable cost for some artists, it is something that should be taken into consideration before committing to a service. Secondly, these services may not offer the same level of support and guidance that artists may receive from a major label. They may not have the resources to provide personalized attention and guidance for artists, instead offering more automated and impersonal services. This can make it more difficult for artists to navigate the music industry and make the most out of their music, especially if they don't have much experience in the field. Finally, while these services may offer some level of exposure and visibility for artists, they may not provide the same level of promotion and support that major labels can offer. This can make it more difficult for artists to stand out and make an impact in a highly competitive industry. Overall, while these services can be valuable for some artists, they may not be the best choice for artists who are looking for a more comprehensive and personalized approach to their music. Major labels may be a better option for these artists as they can offer a range of resources and support that can help them succeed in the music industry and grow their careers.

I’m very happy to announce a Call for Proposals for a new short-form series of peer-reviewed books related to any aspect of music business or its intersections with technology or culture. As you will see from the blurb below, the series is open to a range of theoretical approaches and foci, but with the overall intention to build a series of research-informed texts that enhance our understanding and knowledge of music business related topics in a global context. https://lnkd.in/gvpnfHwF The Anthem Impact in Music Business, Technology and Culture series showcases original scholarly research exploring the dynamic intersections of music business, technology and culture. Each work in the series is limited to 20,000 to 30,000 words. Delving into management and marketing strategies for artists and enterprises, including digital distribution and social media engagement, it navigates legal, contractual and copyright advancements. In addition, the series addresses the welfare of music industry professionals and creatives, while examining their intersections with audiences, fans and broader media contexts. Proposals from diverse territories and genres are encouraged, provided they contribute to global discourse. The series is tailored for a scholarly audience and professionals within the music industry. Proposals We welcome submissions of proposals for challenging and original works from emerging and established scholars and practitioners that meet the criteria of our series. We make prompt editorial decisions. Our titles are published in digital and print editions and are subject to peer review by recognized authorities in the field. Should you wish to send in a proposal, please contact us at: proposal@anthempress.com. Alternatively, if you have any questions or want to discuss an idea you have, please email me at chris.anderton@solent.ac.uk 😊

How can music make our cities better? Shain Shapiro PhD dives into this question in his new book, ‘This Must Be The Place’, presenting a global selection of case studies demonstrating how music can significantly make a community better. One of the standout benefits often cited is music’s economic impact. Music draws people in. For example, a 2009 The Wall Street Journal article highlighted Seattle as America's top city for attracting college graduates, with music being a key factor. This underscores the same logic businesses employ by integrating music to attract customers—it's effective. Yet, beyond economics, I believe quality of life is even more important. A city with music is a happier and more expressive place. Music also unites diverse groups in ways few other things can—sports being a notable comparison. A community immersed in music—one that understands, plays, and feels it—tends to be more curious, collaborative, and resilient to change. These are qualities intrinsic to music and the people who appreciate it. Music has immensely enriched my life. I'm grateful to reside in a city that not only brands itself as The City of Music but also backs this up with tangible support. For example, Seattle nurtures its music scene through tax abatements for venues, turned the Sea-Tac Airport into a live music venue, integrated KEXP into a public park, and for decades has celebrated street performers at Pike Place Market PDA. It's home to business pioneers like Sub Pop Records, incubators like The Vera Project and Sonic Guild Seattle, support groups like Seattle Musicians Access To Sustainable Healthcare, and countless individuals dedicated to the very difficult task of running music venues. So, here's to Seattle, a city where I'm proud to live and raise my family because of its music culture. I hope it gets stronger, not weaker. And a heartfelt thank you to the musicians! Your talent and passion profoundly enrich my life. I promise to continue doing my part to make Seattle a place where you can live and work as a musician. If you want to learn more about ways you can do your part, then join me at Town Hall Seattle this Sunday, where Shain Shapio will share his how-to-guide and toolkit to make our cities better through music.

NTIA Endorses Urgent Measures Within Committee Report But Calls for Broader Ecosystem Solutions Amid Unanswered Questions Statement from Michael Kill, CEO of the Night Time Industries Association, on the Commons Culture, Media and Sport Committee's Report "As the CEO of the Night Time Industries Association (NTIA), I stand in full support of the recommendations put forth by the Commons Culture, Media and Sport Committee in their recent report addressing the "cost-of-touring crisis" faced by artists and the dire situation of grassroots music venues. The findings of the report underscore the urgent need for comprehensive action to safeguard the future of our vibrant music ecosystem. It is deeply concerning to learn that venues are closing at an alarming rate, threatening the livelihoods of countless individuals who rely on these spaces to showcase their talent and contribute to our cultural landscape. The call for a comprehensive review of live and electronic music by the summer is a crucial step towards understanding the long-term challenges confronting the industry. Additionally, the proposal for a temporary VAT cut based on venue capacity and the establishment of a voluntary levy to support grassroots music activity demonstrate a recognition of the immediate interventions required to mitigate the crisis. I echo the sentiments expressed by Dame Caroline Dinenage, chairwoman of the committee, that grassroots music venues are the lifeblood of our industry. Without adequate support, we risk not only the loss of these invaluable spaces but also the erosion of the entire music ecosystem. The NTIA applauds the committee's efforts to engage with stakeholders across the sector and develop meaningful recommendations that address the pressing needs of artists, venues, promoters, and music enthusiasts alike. We urge the Government to act swiftly on these proposals to ensure the survival and prosperity of live music in the UK. We stand ready to collaborate with policymakers, industry partners, and stakeholders to implement the necessary measures and secure a sustainable future for the night-time economy and the cultural heritage it represents."

Creating a Music Commission A vast majority of respondents (76%) would like to see a music commission created at the city or county level. The study suggested many solutions, such as direct financial support for musicians, a better marketing approach for the music scene and venues as well as incentive programs for spaces that host live music, even if they don’t have a non-profit status. Only 17% of respondents have received assistance in the form of a grant, tax break or incentive. In Austin, a music commission advises the city council on issues pertaining to the music industry. The majority of respondents in every category reported a do-it-yourself approach to booking, publicity and more. Diversity and Inclusion Of the 2,768 respondents, 86% were white. Only 23% of those who did respond found the Cleveland music scene “racist,” but the census admits it “didn’t reach the Black community and where it did, there is work to do.”