ProductionHUB’s Post

“I always like to tell any new filmmakers that making the film is just half the battle, now it’s time to get people, not just your family and friends, to see your work, And that’s up to you. Now you’ve become the salesman. Get them in the door." -Joe Carabeo Why do Film Festivals matter for the independent filmmaker? The landscape is changing fast. Brands can also make use of the awareness that festivals provide. Check out this article penned by our Founder, Cameron Kit, posted on Short Movie Club. #filmfestival #festivalstrategy #filmfestivals #independentfilm #brandawareness #earnedmedia

Back in the 90s and early 2000s, South Florida was the place to film. Movies like Bad Boys and The Birdcage were shot right here, and there were tons of TV shows and commercials using our beautiful locations. So, what made it work back then? • We had great tax incentives that attracted big productions. • Amazing locations—beaches, cities, you name it. • Hollywood loved the vibe down here, and it showed in the number of projects filming. Today, things are different. We still get some productions, but nowhere near what we used to. A big reason for that? The lack of competitive incentives. Places like Georgia have stepped up and taken over because they offer better deals for filmmakers. So how can we bring the industry back? • Reintroduce strong incentives to attract big projects again. • Build a supportive network for filmmakers, businesses, and local government. • Invest in local talent and give recent film school grads opportunities to work on bigger projects. • Use our unique culture and locations to show that South Florida is still a prime spot for filmmaking. 💬 What do you think? Should we invest in making Florida a film hub again? Let’s chat about it in the comments! 👇 #FilmIndustry #SouthFloridaFilm #Filmmaking #ProductionIncentives #FilmLocations #MiamiFilm #CreativeEconomy #SupportLocalTalent #FloridaFilm

Opportunity

Kobani International Film Festival Entering film festivals is an essential step for any aspiring filmmaker, and I’ve seen firsthand the transformative impact it can have. As a judge at The Kobani International Film Festival, I strive to be fair and provide guidance to new filmmakers, helping them refine their craft. Film festivals provide a platform where emerging talents can showcase their work to a wider audience, gain critical feedback, and measure their progress against other filmmakers. This exposure not only builds confidence but also fosters a sense of community among creators, encouraging them to push their boundaries and evolve in their storytelling abilities. For new filmmakers, film festivals are more than just a stage for recognition; they are learning experiences that can shape their future careers. I love seeing fresh voices enter the festival circuit because it’s an opportunity for them to receive constructive criticism, network with industry professionals, and gain valuable insights that are often not available in a classroom setting. Engaging with a diverse audience and receiving feedback from experienced judges allows filmmakers to understand different perspectives and refine their work, making them better prepared for the competitive world of filmmaking. Jano Rosebiani https://lnkd.in/e7PWbsUy #filmfestivals #newfilmmakers #tipsfornewfilmmakers

I put together some thoughts to help people understand film and television credit conventions - something most people are never taught and you just have to figure out as you go. If you’ve got questions about your next project, drop me a line!

🎬 Ever wondered why film credits matter so much in the industry? They’re more than just a list of names—they're a form of branding for filmmakers, producers, and actors alike. Each credit tells a story about the contributor's role and standing, shaping how audiences and industry insiders view a film's creative pedigree. Understanding how credits work can be crucial for anyone in the industry, whether it’s negotiating placement, position, or style. Curious to learn more about how credits impact careers in Hollywood? 📽️ 🔗 https://lnkd.in/giBvt9Sx #FilmIndustry #CareerMilestones #EntertainmentLaw #MavacyTeam

Interesting article from The Age about the challenges for indie film producers from across the ditch.

Everyone’s talking about where the Sundance Film Festival will live in the future, but a more compelling question may be this: How do independent filmmakers plan to distribute their films and create real careers when even Sundance — wherever it may be based — is not enough? That’s not a knock on Sundance, or on any festival; it’s recognizance that the world has changed. Many films don’t sell, even at Sundance. The decline in theatergoing, the change in streamers’ strategies, the rise of arthouse events: No one knows what the new normal is, but today putting faith in selling a movie at its premiere and living happily ever is not even a fairy tale; it’s a toxic myth. #IndependentFilmmaking #FilmDistribution #SundanceFilmFestival

As someone who's been immersed in the world of independent filmmaking for nearly a decade, I've seen firsthand the challenges filmmakers face when it comes to getting their work noticed. It's not just about creating a great film—it’s about finding the right audience, building a community, and managing the business side of things, all while staying true to your creative vision. That’s where Film Fervor comes in. I’ve dedicated Film Fervor to supporting indie filmmakers by offering a platform where they can share their stories, promote their films, and connect with audiences in meaningful ways. Whether it’s through in-depth interviews that explore the creative journey, thoughtful film reviews that provide constructive feedback, or strategic promotion across various channels, my goal is to help filmmakers grow both their craft and their audience. The heart of what I do is about helping filmmakers build a sustainable career. By offering tools and resources that make the business side of filmmaking easier, I hope to empower more filmmakers to focus on what they do best—telling compelling stories. If you’re an indie filmmaker looking to connect, share your work, or just explore new ways to reach your audience, Film Fervor is here to support you on that journey. Let’s keep the creativity flowing and the stories coming! www.filmfervor.com

Must-read film industry memo alert! I'm so proud of supporting this work to elevate San Francisco Bay Area film. I commissioned two Bay Area film research projects, while at Kenneth Rainin Foundation, to deep our understanding of how the Arts Program could better support local filmmakers. I thought learning more about the local film industry would be essential to go beyond just making grants to actually help nurture the ecosystem. After the first project, researcher John Carnwath of WolfBrown recommended that we could greatly deepen our understanding with a follow-up project that could be led by Paula Smith Arrigoni, whom he interviewed as a Bay Area film leader adding perspective to his desk research. Paula, John and Bay Area Video Coalition's research and development manager, Kailen Sallander, did a remarkable job with the second project. There's tons to learn from BAVC's survey of the Bay Area’s makers and accompanying examination of what we can learn from other cities and regions successfully competing to attract film and media projects. Austin, Denver and New Orleans, to name a few, have major lessons for the Bay and I'm grateful for Paula's idea to subsequently publish the memo below. The work is already contributing to advances in the field. Namely bolstering the Oakland Film Commission's case supporting it's first film rebate incentive and a new production database. Despite huge budget challenges this year, the Oakland City Council approved it! The research's lesson are likely useful for many parts of the country, so if you work in or support film, get to reading. The memo takes the findings and makes them extremely actionable.