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Cannes 2022

September 2023

  • RMN

    Peter Bradshaw's film of the week
    RMN review – sickness beneath the skin as racism breaks out in Romanian village

    Latest from Cristian Mungiu is a low-key drama about a multi-ethnic community in Transylvania who turn on a group of Sri Lankan immigrants

August 2023

  • Iranian film director Saeed Roustaee

    Martin Scorsese backs Iranian director jailed over Cannes screening

  • Saeed Roustayi attends a photocall for Leila's Brothers at Cannes last year.

    Iranian director Saeed Roustayi jailed for ‘unauthorised’ Cannes film screening

June 2023

  • Heartfelt and absorbing … War Pony.

    Peter Bradshaw's film of the week
    War Pony review – rousing tale of love and money on a Native American reservation

    The innate wisdom and instinct to survive of two teenage males is beautifully observed in actor-turned-director Riley Keough’s debut feature

May 2023

  • Where the air is clear … Luca Marinelli and Alessandro Borghi in Le Otto Montagne (The Eight Mountains)

    Peter Bradshaw's film of the week
    The Eight Mountains review – a movie with air in its lungs and love in its heart

  • The Dam.

    The Dam review – eerie, hallucinatory tale of Sudan on the brink

March 2023

  • Gustav De Waele, left, and Eden Dambrine in Close

    Peter Bradshaw's film of the week
    Close review – a heartbreaking tale of boyhood friendship turned sour

  • ‘My mum taught fashion’ … Lukas Dhont from Dikkelvenne near Ghent.

    ‘I’d love to do a queer Titanic. Well, a queerer one!’ Director and Oscar contender Lukas Dhont

February 2023

  • Joyland.

    Saim Sadiq on his banned trans love story, Joyland: ‘We spend our lives trying to hide our desires’

  • Fundamentally silly … Broker.

    Broker review – Kore-eda gets the tone all wrong in sudsy Korean baby adoption tale

  • Joyland. Director: Saim Sadiq

    Peter Bradshaw's film of the week
    Joyland review – subtle trans drama from Pakistan is remarkable debut

  • Donkey with a necklace of carrots, in EO.

    EO review – an innocent donkey leads the way in surreal Bresson-inspired ride

January 2023

  • Zar Amir Ebrahimi

    Zar Amir Ebrahimi on fleeing Iran and her Cannes comeback: ‘If you lose everything, it’s easier to rise up’

  • Holy Spider film still

    Holy Spider review – Iranian crime thriller takes real case and makes it implausible

December 2022

  • Vicky Krieps as Empress Elisabeth of Austria.

    Peter Bradshaw's film of the week
    Corsage review – a cry of anger from the pedestal-prison of an empress

  • Letitia Wright (left) and Tamara Lawrance stare at the wall in a dimly lit underpass in The Silent Twins.

    The Silent Twins review – powerful story of Welsh sisters in a world of their own

November 2022

  • Aftersun

    Peter Bradshaw's film of the week
    Aftersun review – beach holiday with Paul Mescal and daughter is a sunny delight

    This effortlessly relaxed debut by Charlotte Wells is a subtle and complex investigation of post-divorce parenthood, with a brilliant performance by young Francesca Corio

October 2022

  • Triangle of Sadness

    Triangle of Sadness review – glossy satire on the ultra wealthy

    Two-time Palme d’Or winner Ruben Östlund’s mischievous takedown of the super-rich has more style than substance
  • TRIANGLE OF SADNESS (dir. Ruben Östlund)

    Peter Bradshaw's film of the week
    Triangle of Sadness review – heavy-handed satire on the super-rich loses its shape

    The new film from Palme d’Or winner Ruben Östlund takes aim at obvious targets, and makes a mess of hitting them
  • Filipino actor Dolly de Leon

    Triangle of Sadness’s Dolly de Leon: ‘Women my age are more in touch with our sexuality. We know how to flirt’

    She’s made a career back home in the Philippines as jobbing actor, but now she’s the breakout star of a Palme d’Or-winning film – and enjoying every minute of her newfound fame
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