Resnicow and Associates

For the second year in a row, R+A has been recognized in The PR Net's annual initiative spotlighting outstanding talent, innovation, and influence within the PR agency industry. “The R+A team is individually and collectively dedicated to—and passionate about—the world of arts and culture. Our in-depth understanding of the sector allows us to provide invaluable counsel and forge meaningful connections for our clients. We take pride in being powerful advocates for our colleagues, clients, and the arts." #ThePRNet100 https://lnkd.in/ehk2ZjfF

Save the Date: The Frick Collection Reopens in April 2025! The Frick Collection will reopen its iconic Fifth Avenue mansion after a comprehensive renovation and expansion led by Selldorf Architects and Executive Architects Beyer Blinder Belle. This milestone project introduces revitalized historic spaces, new amenities, and access to the mansion’s second floor for the first time, creating a richer visitor experience. The inaugural season will showcase the Frick’s permanent collection in freshly restored galleries, along with a commissioned series of porcelain flowers by ceramicist Vladimir Kanevsky, honoring the museum’s original opening in 1935. Guests can also look forward to a week of musical programming in a new 220-seat auditorium and the highly anticipated exhibition “Vermeer’s Love Letters,” debuting in June 2025.  Read more from Robin Pogrebin in The New York Times:

The New York Times Critics Pick ✨ Marian Goodman Gallery’s Tribeca debut exhibition “Your Patience Is Appreciated: An Inaugural Show," spans three floors of the beautifully renovated Grosvenor Building at 385 Broadway, activating the galleries themselves as well as transitional spaces. Featuring 75 works across a variety of media, with a particular focus on time-based works, this group exhibition showcases the creative affinities of all 50 diverse, multi-generational artists and estates from the Gallery's program. “Walls are white, ceiling beams are black, and unlike some of its Chelsea peers, this is a gallery building that never feels like a spa or corporate headquarters. What it does feel like is the end of an era — and, with any luck, the beginning of a new one.” Read more from Will Heinrich in the New York Times:

The The New York Times has released its list of the top “Art to See at U.S. Museums, Galleries and Auction Houses This Fall”—featuring many exhibitions around the country that showcase artists’ responses to political and social movements, and to their own histories. Don’t miss “Current Speed: Kathia St. Hilaire — Invisible Empires” on view through February 9 at the Speed Art Museum and “Charles Gaines: Numbers and Trees (Arizona Series)” running concurrently with “Charles Gaines: 1992-2023” at Phoenix Art Museum, on view October 30 through July 20 and March 9. Explore the full list by Morgan Malget:

The Johns Hopkins University and the Sam Gilliam Foundation are launching the Sam Gilliam Lecture Series, debuting in 2025 at the Johns Hopkins University Bloomberg Center in Washington, D.C. This new series honors the legacy of the visionary artist and his dedication to social justice, bringing together leading artists, policymakers, and thinkers to explore the powerful intersections of contemporary art, academia, and public policy—themes deeply rooted in Gilliam's life and work. https://lnkd.in/gPCderfY

It's been a year since #HopkinsBloombergCenter’s opening! We’re celebrating a year filled with important stories, discussions, and events - bringing together the brightest minds across fields and connecting the worlds of research and policymaking to fuel discovery, dialogue, and global democracy. From AI and health research to arts, culture, and more - we’re looking forward to more innovation in the years to come. Keep up with more event and join us at the #HopkinsBloombergCenter - where Washington comes to think: https://lnkd.in/e2kD9gJw

The Speed Art Museum, in collaboration with the Sam Gilliam Foundation, has announced the launch of the new Gilliam Visiting Artist Program! This exciting new initiative will bring two living artists to Louisville each year to engage with Kentucky's vibrant community, creating fellowship and new dialogues with Kentucky artists and community members and culminating in new collaborations and public programming at the Speed Art Museum and beyond.    Launching in 2025, the inaugural Gilliam Visiting Artists are multimedia artists vanessa german and Eric N. Mack, whose unique practices will inspire conversation and collaboration among local artists and audiences, and who will in turn have the opportunity to explore the rich artists ecosystem of Kentucky.   (1) vanessa german. Photo: Jordan Whitten. (2) Eric N. Mack. Photo: Daniel King

In a world dominated by digital sounds and solitary listening experiences, the unique power of live music in a beautifully crafted space remains unparalleled 🎶 In a thought-provoking excerpt from Diamond Schmitt's new book, “Set Pieces: Architecture for the Performing Arts in Fifteen Fragments,” New York Magazine’s architecture and classical-music critic Justin Davidson explores the enduring significance of concert halls in our society.   Read more in Curbed:

"Jackson Pollock: The Early Years (1934-1947)" is one of artnet's 5 Must-See Museum Shows to Catch in Paris!   Now open at Musée national Picasso-Paris, the exhibition delves into the diverse influences that shaped Pollock's art—from regionalism and Mexican muralists to Native American traditions and the European avant-garde, with particular emphasis on the impact of Pablo Picasso.   Supported by the POLLOCK-KRASNER FOUNDATION, this exhibition offers a unique opportunity to appreciate the creativity that established Pollock as a cornerstone of American painting.   Explore the other picks by Verity Babbs:

Institute of Contemporary Art, Miami has acquired a second site on their block in the Miami Design District , the former home of the de la Cruz Collection. Providing an additional 30,000 square feet to the museum, the new site doubles ICA Miami’s facilities for exhibitions and the permanent collection, public programming, and education, enabling the museum to deepen its engagement and impact with audiences and significantly enhance its community resources. Read more from Benjamin Sutton in The Art Newspaper: https://lnkd.in/eqejnMS4