CPH:DOX’s Post

🌐 Happy to share that my scientific article debut “Reflective Subjectivity in Audiovisual Nonfiction: Empowering Global South Media Makers and Decolonizing Storytelling” has been published and been available to read on Atlantis Press (part of Springer Nature) — https://lnkd.in/dpBhaiH3 💡Here’s the abstract: This study explores the application of reflective subjectivity, underpinned by autoethnography, in audiovisual nonfiction storytelling as a tool for empowering media creators in the Global South to challenge Western-centric views and decolonize storytelling. Amid a predominantly Western-centric media production and theorizing, this research identifies a gap in understanding how Global South media makers can effectively employ reflective subjectivity to address power dynamics and encourage cultural sensitivity. The primary objective is to identify innovative strategies and best practices that can facilitate the incorporation of these methods into their work through filmic forms that have been termed as, for instance, essay film, autobiographical documentary, or first-person documentary. Utilizing a comprehensive review of relevant literature and in-depth analysis of two case studies involving Global South filmmakers who have integrated reflective subjectivity and autoethnographic practices in storytelling forms the core of the methodology. The findings reveal a number of effective strategies for challenging dominant perspectives and promoting diversity in media representation. The study concludes with recommendations for future research and practices, emphasizing the value of reflective subjectivity as a catalyst for more inclusive and equitable media representation of and in the Global South. 📚Take your time to read it and looking forward to hearing any feedback!

🎬 Calling All Filmmakers! 🎬 Are you ready to take your storytelling to the next level? Whether you're an indie filmmaker or a seasoned director, the world of cinema is constantly evolving, and there's always something new to learn and explore. Here are a few tips to keep your creative juices flowing and your projects on the cutting edge: 1. Embrace New Technologies: From virtual reality to AI-driven editing software, the latest tech can give you an edge in creating immersive experiences. Stay curious and experiment with these tools to enhance your storytelling. 2. Network and Collaborate: Film is a collaborative art form. Connect with other filmmakers, writers, and industry professionals. Attend film festivals, join online communities, and don't be afraid to reach out for collaboration opportunities. 3. Tell Diverse Stories: The world is rich with untold stories. Aim to bring unique perspectives and voices to the forefront. This not only enriches the film landscape but also broadens your audience. 4. Keep Learning: The best filmmakers are perpetual students of their craft. Watch a wide variety of films, study different genres, and keep honing your skills. Online courses and workshops can be great resources. 5. Stay Resilient: The journey of a filmmaker is filled with ups and downs. Rejection and setbacks are part of the process. Stay passionate, keep pushing forward, and remember why you started this journey. Let's continue to push the boundaries of what's possible in film. Share your latest projects, insights, and tips in the comments below. Let's inspire each other to create the next masterpiece! #Filmmaking #Cinema #Storytelling #FilmIndustry #CreativeCommunity #FilmmakersUnite #Silverbirdfilmdistribution #mohinsights

The Social Impact Media Awards (SIMA) is accepting entries Deadline 10 October 2024 Filmmakers and activists can submit videos that inspire activism, compassion and social transformation. The Social Impact Media Awards (SIMA) is accepting entries for its international documentary and educational media competition and showcase, funded by documentary companies and human rights organizations. The categories are feature documentaries, short documentaries, impact videos (innovations and creative impact), XR/interactive and production companies. Feature documentaries must be a minimum of 40 minutes, shorts less than 40 minutes, XR/interactive less than 20 minutes in length and impact videos 2 to 20 minutes long. Films must have been completed between October 2023 and September 2024. Non-English language documentaries and impact videos must be subtitled in English. Winners in each category will receive cash prizes, media features and distribution opportunities. The late deadline is Oct. 10. The entry fee starts at US$20. https://lnkd.in/gXs9uj_Y

How Do You Craft a Docuseries With 30 Plus Years of Footage? https://ift.tt/6rPcga1 As any seasoned documentary filmmaker can tell you, sometimes watching through and getting a feel for all of the footage at your disposal (both shot for the production as well as the collected archival library) can be extremely daunting. Most projects have days upon years of material to intimately know and become familiarized with to tell your best story. Some can be 30 plus years of two of the most photographed celebrities in the world. So is the case for Netflix's extremely well made docuseries Beckham, profiling the celebrity footballer through four episodes of dense history and insight into his life today. The series, exquisitely edited by Emmy-award-winning ACE Michael Harte (Three Identical Strangers, Still: A Michael J. Fox Movie), certainly feels crafted by creatives that didn't take any shortcuts crafting a mini series with a lot of heart and dedication to the subject they are profiling. The series is currently nominated for five Emmy awards, including best editing for Harte. We were lucky enough to sit down and talk the shop of the cut with Harte, where he breaks down the importance of obsessive organization, finding your voice as an editor, and so much more. Editor's note: The following quotes from Michael Harte are edited for length and clarity. Michael Harte: From PA to ACE "I was living in Dublin and there was a really strong documentary scene there. I started working with an editor as runner, and he showed up with a Harley Davidson—his name was Bob Caldwell. He was very cool guy and had a house on the beach in Dublin, which is unheard of, and even as an editor. And I was like, well, if I edit, this is what I'll get—a Harley Davidson and a house on the beach. I have neither. And he just let me cut from day one. We got on really well, and he was really encouraging. He had a tiny boutique edit suite and said, it's just me and, and when a project comes in, we're going to share the load, but you'll have to do some of the assistant edit work, but you're going to have to cut too because the industry started to take off. [After working there for a bit I went to London and eventually landed Three Identical Strangers]. That opened a lot of doors for me in terms of work." Define Your Workflow  "It depends on the director and how much work they've done by the time I come on board. With Three identical Strangers, [director] Tim Wardle was very organized before we even started. He knew a lot of the story beats—the story had already happened. So I could focus entirely on the editing on that one. The third act was the only exception, that was unfolding as we were cutting it, so we were trying to find that part of the story. With other projects it can be different. I don't like the word "pre-production" anymore because—sorry to post-production—because a lot of the times you come on board and the production is far from finished...

#BewaContentCreationCompetition2024 #InnovativeFilmmakingNiche Topic: The important of creating innovative short films and visual contents. I am participating in the biggest content competition across Africa hosted by ENO SAM and BEWA Afrian IMPORTANCE OF INNOVATIVE SHORT FILMS Innovative short films is a genre in film making that's unpopular but important to the transformation of the minds of the society at large However, there's so many goodies that comes with innovative short films, the list goes on and on but i will least a few below. MIND TRANSFORMATION: This is the major needs of the society, many of the individuals in our society are farback in thinking and reasoning, but with innovative short films, there can be a mind-blowing transformation among the society through innovative well develop plot short films. However, Visual is the food of the mind, it's the only weapon that has been used to conquer the mind and it's also the winning weapon for a mind revamps and transformation. TECHNOLOGY AWARENESS: This is also the measurements of the progress in a society, every society with a technological aware individual is an advanced society, innovative short films is important in helping the individuals with a technology knowledge advantage in it scene plots. Moreso, If the society is technological aware and have the knowledge on how to navigate them, there's an assurance that the personal economy of an individual will be more than average. PERSONAL DEVELOPMENT: Most individuals in our society don't attend physical personal development program, This is one of the reason innovative films can be use as a means to imprint personal development in the live of the viewers. However, personal development is the biggest investment that's been ignored but can be the change the society is searching for. INNOVATIVE IDEAS: Research as shown that out of ten viewers six has an idea but they're unaware of how to develop the idea, with innovative short films, viewers will be able to comprehend how they can make their ideas into ventures through same sample display in the innovative films. PHYSICAL CHANGE: The best way to alter this generation concurrent habits is to create an interesting innovative movies, films that inspires them to do, to act proper and normally, two out of every five viewers take immediate steps according to the lessons of a visuals or inspiration gotten from a film. ECONOMICAL CHANGE: The 90% of African viewers are going through a lot of economic hardship, with innovative short films that'll shift their paradigms about how things are been done and made possible, we can create economic freedom through innovative films. I BELIEVE IN THE POWER OF TRANSFORMATIONS THROUGH VISUALS AND INNOVATIVE SHORT FILMS.💪💪 #OnMyWayToChangeTheWorldThroughInnovativeShortFilms #TransformativeFilmmaker #IfBookCanTransformVisualCanAlsoBeTransformative

The Social Impact Media Awards (SIMA) is accepting entries Deadline 10 October 2024 Filmmakers and activists can submit videos that inspire activism, compassion and social transformation. The Social Impact Media Awards (SIMA) is accepting entries for its international documentary and educational media competition and showcase, funded by documentary companies and human rights organizations. The categories are feature documentaries, short documentaries, impact videos (innovations and creative impact), XR/interactive and production companies. Feature documentaries must be a minimum of 40 minutes, shorts less than 40 minutes, XR/interactive less than 20 minutes in length and impact videos 2 to 20 minutes long. Films must have been completed between October 2023 and September 2024. Non-English language documentaries and impact videos must be subtitled in English. Winners in each category will receive cash prizes, media features and distribution opportunities. The early deadline is Sept. 16. The regular deadline is Sept. 26. The late deadline is Oct. 10. The entry fee starts at US$20. https://lnkd.in/gXs9uj_Y

🎥Discover how Grivița Studio redefines artistic documentaries. Documentary storytelling reaches new heights with Grivița Studio's innovative approach. Transform ideas into compelling stories with Grivița Studio’s expertise. #CinematicArt #CreativeVideo #FilmVisuals #SocialMediaFilmCampaign #FilmMarketingStrategy

Creating a documentary film is a multifaceted journey that involves meticulous planning, in-depth research, and creative storytelling. Here’s a breakdown of the key stages: 🎬 Concept Development Every documentary starts with a compelling idea. This stage involves brainstorming, defining the film’s purpose, and identifying the target audience. 🔍 Research and Pre-Production Thorough #research is essential. This includes gathering background information, finding credible sources, and securing interviews with experts or eyewitnesses. Location scouting, budget planning, and scheduling are also undertaken. 📝 Scriptwriting Even though documentaries often rely on real events and interviews, a #script provides a blueprint for the narrative flow, including voiceovers and key questions for interviews. 🎥 Filming With a solid plan, #filming begins. This involves capturing interviews, B-roll footage, and any other visual elements. Flexibility is key, as real-life events can sometimes take unexpected turns. ✂️ Editing This is where the magic happens. The #editing process involves organizing the footage, selecting the best takes, and weaving them together to create a cohesive story. Adding music, sound effects, and voiceovers enhances the emotional impact. #VideoEditing 🛠️ Post-Production Final touches are made, including color correction, audio mixing, and adding graphics or subtitles. Obtain final approvals and make necessary adjustments. 📡 Distribution The focus shifts to #distribution. Submit the documentary to film festivals, find a distributor, or share it on various platforms to reach the intended audience. Creating a #documentary is a rewarding process that combines art and journalism. Each step is critical to ensure the final product is informative, engaging, and impactful. #DocumentaryFilm Excited to share more about my experiences in documentary filmmaking and would love to hear about yours! Let's connect and exchange ideas. Feel free to reach out and connect!

Here's my 2024 LinkedIn Rewind, by Coauthor.studio: 2024: The year Hollywood dreams met Flemish reality, and independent filmmaking proved it's not just about making movies, but changing how we tell stories. 😎🎬 Between launching our fourth Hollywood Bootcamp and wrapping "Sound of the Somme," this year wasn't just about creating content - it was about challenging the entire media ecosystem. Er ontbreekt een visie dat externe content verwelkomt en samenwerkingen met onafhankelijke makers stimuleert! (Translation: There's a missing vision that welcomes external content and stimulates collaborations with independent creators) Three moments that defined our journey: 1. Hollywood Bootcamp 2025: Transforming film education one Los Angeles adventure at a time "Catching a plane to L.A. & returning 16 days later with your own short movie? During our 4th (!) edition of Hollywood Bootcamp 25, this crazy dream becomes the real deal." https://lnkd.in/ei5pbNxq 2. Sound of the Somme: Proving international storytelling transcends borders "We officially wrapped up shooting the international short film SOUND OF THE SOMME" https://lnkd.in/e4nmBzKq 3. Flemish Media Critique: Because someone needs to say it "Er ontbreekt een visie dat externe content verwelkomt en samenwerkingen met onafhankelijke makers stimuleert" https://lnkd.in/eNZqnsKq Highlights? We're not just counting trophies: • Another Hollywood Bootcamp that turned student dreams into reality • Completed "Sound of the Somme" - a testament to independent international collaboration • Advanced post-production on anthology features that challenge traditional storytelling • Got nominated for an Ultimas award (still waiting on that celebration drink!) 2025 is already looking like a transmedia storytelling revolution. We're developing three international fiction features, a VR series that'll make "HannaH & co" look like a warm-up, and continuing to push boundaries in how we create and consume content. The future of filmmaking isn't just about cameras and scripts - it's about breaking down barriers between creators, audiences, and storytelling formats. Who's ready to join this wild ride? Slide into my DMs if you want to collaborate, challenge the status quo, or just chat about the future of media. #IndieFilm #Filmmaking #MediaEducation #TransmediaStorytelling #LinkedInRewind #Coauthor #2024wrapped -- Get your 2024 LinkedIn Rewind! Go to coauthor.studio

The #editing process in #filmmaking is rapidly evolving, with new tools streamlining post-production like never before. The ability to quickly assemble rough cuts and suggest edits has reduced the time and cost of editing, but it also raises questions about maintaining #creative control. As #technology continues to advance, how do we ensure that the artistic vision remains at the forefront of #film editing?