Theatre isn't just about entertainment; it's a powerful alarm clock for the soul. What live production impacted you personally? Comment below! Learn more about our theatre company at https://bit.ly/49Jk0h5
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#SectorNews 🎭 European Theatre Convention Launches a new Initiative The 'Break the Mould' project (2024-2028) marks a new era for European theatre with five key programmes: 🔹 Digital Theatre 🔹 Sustainable Theatre 🔹 Diverse Theatre 🔹 Next Theatre Generation 🔹 European Theatre 🔗 Read more about the project: https://lnkd.in/dw5wA-8C
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Participation Theatre If you aren’t co-creating, you might be taking part in participation theatre. If more is going on backstage than in front of the curtain – the scope, budget, and key decisions of a project are a done deal – it’s participation theatre. One is a polished performance, and the other is messy in the middle. It might be time to put down the camera, pull back the curtain, and ignore the viewing figures. https://lnkd.in/dcsGiN8E
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Great piece on on BBC News Breakfast showcasing the benefits of local theatre. Amazing work Joshua McTaggart from the Theatres Trust. Nina picked up the difficulties in finding local productions that Stagely Ltd looks to solve! We've experienced the issues discovering local theatre that's why we founded Stagely Ltd - an app to help people discover theatre - helping people find theatre where it is more accessible both financially and geographically to create new young and diverse audiences and crew for theatres across the UK.
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Come see us and learn more about Arcadia, Gen-IC and more!
Day one of ABTT: Association of British Theatre Technicians show at Alexandra Palace and Park see you on the Clear-Com stand E40 #ispyclearcom #ABTT2024
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Long Wharf Theatre Marketing Director | Playwright | Professor | Theatre & Human Rights
Hot Take: Theatre isn’t just entertainment. For me, that’s its least important role. Theatre is a mirror that reflects our shared humanity, a bridge that connects us across differences, and a platform for meaningful change. While some works explicitly engage with human rights and social justice, all theatre exists in a democratic space—it invites action, dialogue, and transformation. What’s a piece of theatre that changed you?
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reposting so I can find this title animation cause it's so nice
✨ Welcome to Season 2025 ✨ Your front-row seat to Tony Award winners, international premieres and productions made right here in Melbourne. 🎟️ Subscriptions go on sale Monday 16 September at 7pm. Start exploring the electrifying line-up, chat to your friends and plot out dates for an incredible year of theatre. 🎭 Explore the full season at https://lnkd.in/gQ2mQNJU 🎥 EINWICK Productions 🎵 Joe Paradise Lui #MelbTheatre2025
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Producer | Board Member | Chair, Society of London Theatre & UK Theatre Policy, Research & Advocacy Committee.
🎭 "Being taught drama can transform your life." 🎭 This theme was highlighted by both Keir Starmer and Lisa Nandy at this year's Labour Party (UK) Conference, in which they both highlighted the critical importance of arts in education. The National Curriculum requires every state funded school to promote children's cultural development, preparing them for the experiences of later life. However, whilst the private school sector is able to invest in cultural education, the state sector has suffered a significant reduction in provision, due in part to the marginalisation of arts subjects in schools over the past twenty years. Children from low income are missing out the most because they are less likely to have cultural experiences outside of school. Furthermore, the ongoing cost-of-living crisis has led to a reduction in school trips, including theatre visits. Society of London Theatre & UK Theatre believe that every child has the right to go to the theatre, to experience the joy and opportunity that it can bring. Learn more at https://lnkd.in/eqpYN2kH Department for Culture, Media and Sport Department for Education HM Treasury #TheatreForEveryChild
It’s been almost 1 year since we launched #TheatreForEveryChild, our campaign to ensure every child goes to the theatre before they leave school. Over the next month, we’ll be celebrating some of the amazing work our members do to ensure young people have access to great theatre.
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Strategist | Facilitator | Researcher | Helping Organizations Build Resilience and Navigate the Futures of Work, Health and Cities
What might the futures of Prairie-Based Theatre look like in 2040? Will we experience immersive, digital productions from the comfort of our homes? Or will theatres evolve into vital community hubs where we gather to grieve, heal, and connect amidst immerse societal challenges? I'm thrilled to contribute to the latest issue of Canadian Theatre Review Volume 201: Future, Uncertainty, and the Theatre Sector. The article Finding Hope Within Disruption: Exploring Prairie-Based Theatre in 2040 reflects on findings from the Future Prairie Theatre project, where strategic foresight methodologies were used to explore a range of plausible futures and identify the changes shaping the sector today. The article highlights key disruptions and trends—from climate collapse and digitization to decolonizing theatre and political polarization—and how they could shape the theatre of tomorrow. Through scenarios and workshops, theatre artists from across the Prairies articulated not only their worries but also their hopes for what the future could hold. Canadian Theatre Review Volume 201: https://lnkd.in/gWby-MKW cc: Taiwo Afolabi, Christine Brubaker, Yvette Nolan, Jessica Thornton
Cana Academy President/HISTORY250 Narrator
11moPart of the power of the wake-up is that theater is personal, that is in person. The word person comes from the Greek for mask. The original actors wore masks, so that the person/mask mediated between the audience and the actor, between the audience and the playwright. The Greeks called their experience catharsis. The theatrical experience purged what prevented the people from seeing and feeling what they ought to see and feel and freed them, moved them, experience more of the heart of their humanity, what they ought to hold in common. McLean calls our experience a wake-up: before we experience a great stage performance we are more or less asleep to what we ought to see and feel. Awake, we see and feel more of what we ought to experience.