Berggruen Gallery

Berggruen Gallery is proud to announce our participation in the 30th Anniversary edition of The Armory Show, commencing the first week of September.⁠ ⁠ Please visit us at Booth 213 at the Javits Center in New York. Tickets are required for all show dates. ⁠ ⁠ Exhibiting Artists:⁠ Diana Al-Hadid | John Alexander | Dean Byington | Michael Craig-Martin | Sarah Crowner | Heather Day | Nicasio Fernandez | Isca Greenfield-Sanders | Peter Halley | Jane Hammond | David Hammons | Matt Kleberg | Anna Kunz | Barry McGee | Tom McKinley | Joan Mitchell | Tom Otterness | Joel Shapiro | Stephanie H. Shih | Darren Waterston | Lucy Williams | Jonas Wood⁠ ⁠ VIP Preview:⁠ Thursday, September 5, 2024⁠ ⁠ Show Dates:⁠ Friday, September 6, 2024, 11 AM – 7 PM⁠ Saturday, September 7, 2024, 11 AM – 7 PM⁠ Sunday, September 8, 2024, 11 AM – 6 PM⁠ ⁠ Location:⁠ Booth 213⁠ Javits Center⁠ 429 11th Avenue⁠ New York, NY 10001⁠ ⁠ Artwork details: [1] Sarah Crowner, 'Layered Leaves and Cut-Out,' 2019, acrylic on canvas, sewn, 78 x 70 inches; [2] John Alexander, 'Distant Dreams,' 2024, oil on canvas, 54 x 60 inches; [3] Barry McGee, 'Untitled (T.H.R),' 2024, mixed media on wood panels, 73 3/4 x 65 3/4 inches; [4] Matt Kleberg, 'Tapestry (Over Under),' 2024, oilstick on canvas, 96 x 84 inches; [5] Lucy Williams, 'Radiant City #5,' 2024, paper, Perspex, engineered wood, cotton embroidery thread, cotton crochet thread and acrylic paint on birch ply panel, 43 3/4 x 29 1/2 inches; [6] Peter Halley, 'The Electric State,' 2024, acrylic, fluorescent acrylic, and Roll-a-Tex on canvas, 73 x 67 1/2 inches; [7] Joel Shapiro, 'Untitled,' 2008, bronze, 12 x 18 x 9 1/4 inches; [8] Joan Mitchell, 'Untitled,' c. 1990, pastel on paper, 47 x 32 inches; [9] Darren Waterston, 'The Ascetic’s Retreat,' 2018, oil on canvas, 96 x 72 inches; [10] Nicasio Fernandez, 'High Noon,' 2024, oil on linen, 10 x 8 inches.

Berggruen Gallery is excited to share a selection of installation images of current exhibition ‘Heather Day: Cut, Split, Horizon‘.⁠ ⁠ On view until September 19, 2024. Please visit us at 10 Hawthorne Street in downtown San Francisco. ⁠ ⁠ #HeatherDay #CutSplitHorizon #BerggruenGallery⁠ Photography by Shaun Roberts⁠. Architecture by Jennifer Weiss Architecture.

Berggruen Gallery is thrilled to share installation images of current exhibition 'Tom McKinley'.⁠ ⁠ On view until September 19, 2024. Please visit us at 10 Hawthorne Street in downtown San Francisco. ⁠ ⁠ #TomMcKinley #BerggruenGallery⁠ ⁠ Photography by Shaun Roberts⁠. Architecture by Jennifer Weiss Architecture.

Berggruen Gallery will be closed this Friday, August 9. ⁠ The gallery will resume normal business hours on Monday, August 12, 2024. ⁠ ⁠ Photograph by Bruce Damonte for Jennifer Weiss Architecture.

Berggruen Gallery is proud to present Jacoba Urist's feature on Heather Day in W Magazine. Congratulations @heatherday, and a huge thank you to W Magazine, Jacoba Urist, and Chase McBride. ⁠ ⁠ View the full article at the link below to learn about Day's artistic practice, nomadic upbringing, and current exhibition 'Cut, Split, Horizon.'⁠ https://lnkd.in/gVuxx7jK ⁠ 'Heather Day: Cut, Split, Horizon,' is on view at Berggruen Gallery until September 19, 2024. ⁠ Courtesy of Heather Day and W Magazine Written by Jacoba Urist Photography by Chase McBride ⁠ #HeatherDay #BerggruenGallery #CutSplitHorizon

Berggruen Gallery is proud to announce 'Heather Day: Cut, Split, Horizon,' an exhibition of new work by American artist Heather Day. This show marks the artist's first solo exhibition with the gallery. 'Heather Day: Cut, Split, Horizon' will be on view from August 1 through September 19, 2024. ⁠ ⁠ The gallery will host a reception for the artist on Thursday, August 1 from 5 to 7 PM.⁠ ⁠ In her paintings, Heather Day explores landscape, the figure, memory, and sensation through surges of unabashed color, cut and sewn into biomorphic shapes which split and commandeer the canvas. At once harmonious and confrontational, Day’s paintings tangle with the relationship between the material and the conceptual, considering the indescribable phenomena which define our emotional and sensorial perceptions of our surroundings. ⁠ ⁠ In some respects a nomadic artist—while Day grew up in Hawaii, she was previously based in Chicago, Baltimore and San Francisco, and now lives and works in the Mojave Desert—Day frequently mines her surrounding landscape for artistic inspiration, translating them into flowing washes deliberately arranged to incite the phenomenological experiences offered by these environments, rather than their objective realities. Her paintings simultaneously investigate the relationship between perception and memory through a unique process defined by abstraction and reconstruction.⁠ ⁠ 'Heather Day: Cut, Split, Horizon,' August 1 – September 19, 2024. On view at 10 Hawthorne Street, San Francisco, CA 94105. ⁠ #HeatherDay #CutSplitHorizon #BerggruenGallery ⁠ Image and artwork details: [1] Heather Day, 'Blue Crevice,' 2024, mixed media on canvas, 56 x 47 x 2 inches; [2-3] Detail images of 'Blue Crevice.'

Berggruen Gallery is proud to announce an exhibition of recent paintings by Tom McKinley. This show marks the artist's ninth solo exhibition with the gallery. The exhibition will be on view from August 1 through September 19, 2024. ⁠ ⁠ The gallery will host a reception for the artist on Thursday, August 1 from 5 to 7 PM.⁠ ⁠ McKinley’s newest paintings transition from depictions of interiors or architecture into pure landscape. In 'Morning August 1st,' the bows of fifteen boats point toward the open expanse of a body of water as rolling hills drape the scene’s outer edges. A scenic horizon rises above the water, mirroring the pattern of its light. Much like his architectural paintings, 'Morning August 1st' demonstrates a profound talent for creating visual unity that is apparent throughout McKinley’s career, now updated to a include sublime vantage.⁠ ⁠ 'Tom McKinley,' August 1 – September 19, 2024. On view at 10 Hawthorne Street, San Francisco, CA 94105. ⁠ ⁠ #TomMcKinley #BerggruenGallery⁠ ⁠ Artwork details: Tom McKinley, 'Morning August 1st,' 2024, oil on panel, 49 x 97 inches

Current group exhibition, 'California Gold' features a collection of works from several projects by American artist Christopher Woodcock.⁠ Christopher Woodcock was born in San Francisco in 1975 and received his BFA in photography from the San Francisco Art Institute in 2002. Much of his work centers on the complex geometrical patterns of city structures and building frames, and the construction of an image, which the artist has described as “a site-specific intervention captured on film.” ⁠ ⁠ In Desert Prophets, a series of photographs of Yucca brevifolia, more commonly known as the Joshua tree, Woodcock treats the images as portraits rather than landscapes, photographing these symbols of the Mojave Desert at night in order to collapse the panoramic space of the daytime desert. Isolated against a dark curtain of night, each figure is painted with a series of strobe flashes, giving the individual trees a sense of dimension and almost human morphology. ⁠ ⁠ 'California Gold' is on view until July 25, 2024. ⁠ ⁠ #ChristopherWoodcock #CaliforniaGold #BerggruenGallery⁠ ⁠ Artwork details: All artworks by Christopher Woodcock, archival pigment prints, 18 x 12 inches: [1] 'Desert Prophet Death Valley Mine #0360,' 2024; [2] 'Desert Prophet Lanfair Valley #6335-4,' 2018; [3] 'Desert Prophet Cima Dome #0129,' 2024; [4] 'Desert Prophet Cima Dome #0226,' 2023; [5] 'Desert Prophet Sunset Rocks #1841,' 2023; [6] 'Desert Prophet Sunset Rocks #1841,' 2023; [7] 'Desert Prophet Sunset Rocks #1766,' 2023; [8] 'Desert Prophet Sunset Rocks #1815,' 2023; [9] 'Desert Prophet Sunset Rocks #1802,' 2023.⁠

Berggruen Gallery is proud to share installation images of current group exhibition and summer invitational, 'California Gold.' ⁠ ⁠ ‘California Gold'⁠ will be on view until July 25, 2024. Please visit us at 10 Hawthorne Street in downtown San Francisco. ⁠ ⁠ #CaliforniaGold #BerggruenGallery

Berggruen Gallery is delighted to feature three works by Val Britton in current exhibition, 'California Gold.' ⁠ ⁠ Val Britton creates immersive, collaged works on paper and site-specific installations that explore physical and psychological spaces. Her fragmented, exploded landscapes draw on the language of maps to explore memory, history, and the possibilities of abstraction. An award winning public artist with permanent commissions at San Francisco International Airport among others, Britton’s work is part of numerous collections, including the Arkansas Museum of Fine Arts, the Cleveland Clinic Fine Art Collection, de Saisset Museum at Santa Clara University, Facebook Headquarters, the Achenbach Foundation for Graphic Arts at the Legion of Honor San Francisco, Library of Congress, National September 11 Memorial & Museum, New-York Historical Society, New York Public Library Print Collection, and the San Jose Museum of Art. ⁠ ⁠ Britton's work has been shown in over 65 solo and group exhibitions in museums, galleries, art fairs, universities, and non-profit institutions nationally and internationally. She is the recipient of many grants, fellowships, and residencies including a Pollock-Krasner Foundation Grant and the Fleishhacker Foundation Eureka Fellowship. Born in Livingston, New Jersey, Britton spent 14 years in San Francisco before relocating to the Pacific Northwest, where she now lives and works in Portland, Oregon. She received her BFA from Rhode Island School of Design and her MFA from California College of Arts and Crafts. ⁠ ⁠ Images courtesy of the artist. ⁠ ⁠ 'California Gold' on view until July 25, 2024. ⁠ ⁠ @valbritton #CaliforniaGold #ValBritton #BerggruenGallery⁠ ⁠ Artwork details: All works by Val Britton, 2024: [1] 'Call and Response #6,' ink, acrylic, watercolor, collage, and colored pencil on paper, 21 3/4 x 21 3/4 inches, framed: 24 5/8 x 24 5/8 inches; [2] 'Call and Response #22,' ink, acrylic, tempera, collage, and cut out paper, 21 3/4 x 21 7/8 inches, framed: 24 3/4 x 24 5/8 inches; [3] 'Call and Response #1,' ink, acrylic, collage, and cut out paper, 21 7/8 x 21 7/8 inches, framed: 24 5/8 x 24 5/8 inches.