Impact! ✴️ It’s the word that led me to join LOIART as co-founder in March, and the word that drives its mission to revitalise French territories. In just a few months, we've made remarkable strides: 📌 Reached a potential audience of over 1.5 million through our partners 📌 Engaged diverse groups in disability inclusion, job rearmament, sports, and conservation efforts 📌 Secured support from a dozen mayors and six-figure pledges from municipalities 📌 Acquired a building for potential artist residencies and cultural activities 📌 Selected over 30 inspiring artists from three different continents, with more under review This is the product of our vision: choosing #artists 🎨 to showcase their sculptural works in natural settings, involving local #craftspeople 🧩 in the creation process, fostering professional integration through #workshops, and engaging various #partners 🤝 to highlight key aspects of our #society, #culture, and #economy. LOIART isn't just an initiative: it's a catalyst for positive change in the face of the polycrisis. By bringing together artists, craftspeople, and local communities, we're not only preserving culture but also fostering economic growth and social cohesion. This is more than a start – it's a powerful movement towards a brighter, more resilient future for French territories! 🇫🇷
Cosmo J. Vollauschek ⓔ’s Post
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Championing women artists, SLQS opened its doors last night with the exhibition "A Landscape of Chance." If you're in London this weekend, check it out. Follow the link for more info on the thought-provoking works in textile and sculpture that examine our connection to the natural world in the digital age. From questioning human individuality to creating new ecologies, the artists in this show offer a unique perspective on our place in the ecosystem. From the press release: "Through the mediums of textile and sculpture, the artists included in 'A Landscape of Chance' explore human’s connection and impact with botanical life and the broader natural world in the digital era. Human bodily materiality and individuality is questioned, new organisms and ecologies are created. Seeds entangled with synthetics expose humanity’s impact on the ecosystem and our interconnectedness with all beings. Speculative futures contemplate fluid boundaries between matter, life and technology. Vietnamese miniature landscapes reveal exoticisation and tourism nature appropriation. Past, present and future environments collide, distort and transform." SLQS, founded by Sarah Le Quang Sang, is on a mission to champion women artists and their invaluable contributions to the art world. Through a diverse program of exhibitions, online screenings, and knowledge-sharing events, SLQS aims to create a space where artists, collectors, institutions, and thinkers can unite to celebrate diversity, equity, and inclusivity. More here: https://lnkd.in/ecA6UakZ #SLQSGallery #ALandscapeOfChance #LondonGalleryWeekend #WomensArt #ContemporaryArt
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Excited to share my recent interview with the CT Post, where I discussed my latest project, "Journey of Memories." In this conversation, I delve into the inspiration behind the piece, the creative process, and how it reflects themes of memory, culture, and personal storytelling. It was a wonderful opportunity to talk about my journey as an artist and how "Journey of Memories" serves as a bridge between past and present, bringing diverse stories to life through art. I hope you find it as inspiring to read as it was to create! https://lnkd.in/eRYWXisH
'Art is a language for everybody': Refugee women share memories through CT art exhibit
ctinsider.com
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📸🖼️Photographs and creative works are protected by #intellectualproperty rights. Some contemporary African photography encapsulates the continent's rich cultural diversity, history and identity. #AfrIPI #InternationalPhotographyDay #WorldPhotoDay #IP4Africa💡🚀 EUIPO - European Union Intellectual Property Office World Intellectual Property Organization – WIPO ARIPO OAPI
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Art transcends boundaries, weaving stories through colors, shapes, and textures that resonate with our deepest emotions and cultural identities. As a curator passionate about art's transformative power, I believe in its ability to enrich lives, spark dialogue, and inspire change. In today's dynamic world, art serves as more than mere decoration; it is a vital conduit for expressing diverse perspectives and challenging societal norms. Whether contemporary or classical, each piece holds a narrative waiting to be explored, offering glimpses into different times and cultures. As we navigate through complex global issues, art fosters empathy and understanding, bridging gaps between communities and fostering a sense of unity. It encourages critical thinking, creativity, and innovation, essential qualities in a rapidly evolving landscape. At Elevate Côte d'Ivoire, we celebrate art as a catalyst for social change and cultural dialogue. Through curated exhibitions, educational programs, and community outreach, we aim to make art accessible to all, promoting inclusivity and diversity in our creative endeavors. Join us in embracing art's power to inspire, educate, and unite. Together, let's explore the beauty of artistic expression and its profound impact on our world. elevateartmarket.com #ArtAppreciation #CulturalDialogue #CreativeExpression #CommunityEngagement #ElevateCôtedIvoire
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"Human emotion can drive financial decision-making in uncertain times and volatile environments. Our weather forecast series is a way of taking the pulse of what's happening in a geography. It's a way of connecting and getting expertise, local knowledge, and feelings on the ground."— Sigrid Kirk, Co-Founder of AWITA. Yesterday lunchtime, at our ‘Canada Forecast’ we were joined by Megan Bradley, Co-Founding Owner and Director of Gallery Bradley Ertskiran, Christine Sadler, MBA, Principal of Sadler Art Advisory and Ilana Shamoon, Deputy Director of Programs at the Toronto Biennial, and moderator, Sureyya Wille, a consultant working at the intersection of technology and the arts. Key Insights: - Canada has a small pool of collectors, but they are maturing, growing, and becoming more aware of national talent. This a green shoot for growth. - Canada has a strong record of funding for the arts. During the pandemic, Canada offered the world's second-largest recovery package per capita, second only to France. Last year, over 2,000 arts organizations received $228 million in funding, and $57 million was given to 1,500 artists from the Canada Council of Arts. While robust government support is beneficial in creating such vibrant and dynamic communities of artists, the flip side is that 'it has prevented a collecting kind of attitude or mindset'. - The long overdue attention and focus on Indigenous artists have been present in Canada longer than elsewhere. The 2013 National Gallery of Canada show by Candice Hopkins Carcross/Tagish First Nations curator Sakahàn: International Indigenous Art was an important milestone. - Canada’s vast geography means independent development from city to city. "Canada's industries are relatively young, small, very spread out and poorly connected given the enormous geographical distances. These characteristics are observed in Canada's art market, which is also young, small, and concentrated in only a few areas." For the full credit of the National Gallery of Canada Exhibition 'SAKAHÀN: INTERNATIONAL INDIGENOUS ART', please visit the website: bit.ly/49oAnj6 Join the AWITA network to connect and learn from women working across the globe. #awitalondon #canadaartscene #womeninart #awitaevents #membership #globalartmarket #industry
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This week further controversy follows Tasmania’s Museum of Old and New Art (MONA), where artist of the recent ladies' only lounge installation, Kirsha Kaechele, has now revealed they faked the world renowned Piccasso paintings among other famed artists. Irrespective of the legality and ethical implications of the latest admission, it begs the question, is it ever okay to have gender exclusive spaces? Last week, we asked for your thoughts on whether female-only supports and programmes do more harm than good. To date 88% of voters agree that female-only supports and programmes deliver more benefits than potential harm. However, one might ask how do we create an inclusive world by being exclusive? Our thoughts - it’s about balance, purpose and time: ⚖ Balance: 👉 We need to do to more outside of these spaces to reduce the need for them in the first place. Often described by their curators as safe spaces, their existence confirms that participant’s external environments fail to make them feel so or lack the supports to do so. 👉 It’s important to understand why individuals not included or not participating feel discouraged or threatened by such supports and work directly with them to have clear communication on the intended purpose. Every voice should be heard. 🏹 Purpose: 👉 We need to take the time to inform audiences on the purpose of the spaces. Different spaces and programmes serve different needs. 👉 Two things can be true at the same time. The need for dedicated supports and spaces in which marginalised and underserved groups can feel supported to succeed does not negate the needs of others, and efforts towards inclusivity should continue in collaboration with such supports. ⏳ Time: 👉 We need to understand the temporal need for such spaces. Right now, such supports are needed. However, by definition, if successful, these spaces should become redundant as we grow closer to a society in which inclusion is the norm and everyone feels safe and valued in all environments. What are your thoughts? #GenderEquality #inclusion #exclusion https://lnkd.in/g9aXPVa9
Mona’s fake Picassos: performance or prank? - podcast
theguardian.com
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Pleased to have supported on the comms strategy for the launch of Omenai Gallery, a hybrid, digital-physical model taking up its first physical space in Chicago's West town. ✨ Omenai, Inc, the gallery's parent company, was founded by Gbenro Adeyemo, who in 2021 launched the social media and editorial platform as a means of connecting African diasporic communities and democratising global access to contemporary African art. Collectors, artists and enthusiasts began engaing with the platform in novel ways, building circuits of trusts that would prompt Adeyemo to organically expand his mission into physical, exhibiting space. The move signals the importance of digital technology in transnational community building, and also presents new opportunities for cities, such as Chicago, to meaningfully and positively impact the ever-global, African art market. Presenting the works of Kwaku Osei Owusu Achim, in the artist's first ever solo exhibition, Omenai Gallery's inaugural exhibition opens to the public today. Click here for a recent article by Art Report Africa, for more details on the launch 🌟: - #contemporaryartmarket #chicagoartmarket #contemporaryafricanart #artbusiness
OMENAI Launches Omenai Gallery - Presenting Kwaku Owusu’s Debut Solo Show, at Its First Physical Space In Chicago’s West Town
artreport.africa
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At the General Assembly for African Artistry and Innovation, our organization is dedicated to empowering marginalized communities through a unique blend of artistry, innovation, and sustainable development initiatives. At the core of our mission are four key Sustainable Development Goals (SDGs) - SDG 4 (Quality Education), SDG 8 (Decent Work and Economic Growth), SDG 9 (Industry, Innovation, and Infrastructure), and SDG 17 (Partnerships for the Goals). 1. Quality Education (SDG 4): We empower marginalized communities by providing access to quality education and skill development programs that foster creativity, innovation, and lifelong learning. Through artistry and innovation, we aim to equip individuals with the knowledge and tools to succeed in diverse fields and contribute to sustainable development. 2. Decent Work and Economic Growth (SDG 8): We support marginalized communities in accessing employment opportunities, entrepreneurship training, and economic empowerment initiatives. By promoting inclusive economic growth and decent work for all, we strive to reduce inequalities and create pathways to financial independence and stability. 3. Industry, Innovation, and Infrastructure (SDG 9): Our organization champions innovation, creativity, and sustainable infrastructure development within marginalized communities. Through artistry and innovative solutions, we aim to drive economic growth, enhance technological capabilities, and promote sustainable industrialization in alignment with SDG 9. 4. Partnerships for the Goals (SDG 17): We recognize the importance of collaboration, partnerships, and collective action in achieving sustainable development objectives. By fostering partnerships with diverse stakeholders, including artists, innovators, policymakers, and community leaders, we work towards creating a shared vision for empowerment, inclusivity, and social impact. Through our commitment to these four core SDGs, we strive to empower marginalized communities in Africa through artistry, innovation, education, economic growth, and sustainable partnerships. Our organization is dedicated to creating a platform where creativity, empowerment, and sustainable development intersect to drive positive change and foster a more inclusive and equitable society.
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On my morning read and research on African art, as I always do daily, I chanced on this insightful article from Africa.com by Ngozi Akinyele FNIMN, MNIPR, which dives into The Art of Investment: The Rise of African Art. read here - https://lnkd.in/dtg9iGZ5 It’s an exciting time for African art, with collectors and investors finally recognizing its value. From the groundbreaking work of El Anatsui to rising stars in Nigeria, the world is waking up to the cultural and financial significance of African artists. Early investors in African art have already reaped the rewards, and the market continues to grow, even outperforming traditional investment sectors in some cases. As I reflect on the current trends, I believe we are witnessing a pivotal moment where African art is not only seen as an aesthetic experience but also as a viable asset class. For collectors and investors alike, this is the time to engage with the continent’s burgeoning art scene. Whether through traditional acquisitions or innovative new models like fractional ownership, there’s a wealth of opportunity to invest in Africa’s creative expression. At Africans Column, we have long championed the power of African art to shape narratives and drive cultural pride, and now, with the rise in global interest, it’s time for collectors—especially from within the continent—to seize the moment. Investing in African art doesn’t just bring financial returns; it also preserves our culture and amplifies our voices on the global stage. What are your thoughts on the future of African art in investment portfolios? Let’s keep the conversation going! #AfricanArt #ArtInvestment #ArtCollectors
The Art Of Investment: The Rise Of African Art - Africa.com
africa.com
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Supporting local artists isn’t just beneficial for your community; it can also be a savvy investment opportunity! 🌟 Local artists bring unique perspectives that resonate with regional history, culture, and social issues. By investing in their work early, collectors have the chance to foster talent that may gain national or international recognition in the future. Moreover, local artists are often more accessible for commissioned works or collaborations, providing a personal connection that larger artists might not offer. Engaging with your local art scene allows for richer experiences and relationships. Art advisors with knowledge of the local landscape can connect you with the right talent, enabling you to build a collection that is both meaningful and potentially lucrative. Supporting local artists is a win-win for both collectors and the community! #SupportLocalArtists #ArtInvestment #LocalArtScene #ArtAdvisory #CulturalInvestment
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7moWishing you the best