I'm looking forward to attending this deep-dive free offering from The Film Collaborative next week -- a two-day virtual event with 8 sessions to help you demystify distribution.
Topics include: What are “all rights” buyers looking for? Is a hybrid/bifurcated distribution strategy that includes the EU possible, and for which films? Which Educational distributors are out there, for what types of films, and how do you find the one that is the best fit? How should you incorporate an Educational window into your overall distribution strategy? What steps can you take to make exhibitions of your film more accessible and inclusive? What does it mean when festival “hits” are not receiving correspondingly “meaningful” distribution sales offers? Can clinging to the potentially unrealistic dream of a big streaming or all rights deal risk your film’s ability to secure other meaningful distribution? What should you look out for when signing a distribution agreement? Plus, we will be presenting Case Studies on Event Theatrical and Grassroots/Impact Distribution. There’s something for everyone…and it’s free.
Register here:
https://lnkd.in/dXBEKPfH
CEO/Co-Founder @ IndieScene | Disrupting film distribution. #indiefilm #web3 #filmdistribution #cinema #screenings #events #festivals #arthouse #independentfilm #filmmakeractivist
4mo£175 (exc VAT) per ticket!?! I’ve been explaining ways to develop a better infrastructure within the UK’s independent film sector for a few years now. As well as solutions to create growth & sustainability. Policy makers and industry leaders haven’t been listening. What’s going to change? The same questions were asked about sustainability at this year’s Cannes. ** and nobody cared enough at last year’s British Screen Forum And the BFI still has yet to focus on their lack of accountability.