Monday, January 2, 2017

"Passengers" Short Review



I've watched also tonight the Sci-Fi movie "Passengers", starring Chris Pratt and Jennifer Lawrence and directed by Morten Tyldum - who did previously the pretty good "Imitation Game" with Benedict Cumberbatch, which i remember enjoying a lot.

The movie tells the story of a huge spaceship travelling with thousands of humans asleep to a colony planet where the ship will arrive in 120 years. But a malfunction awake from the sleep chambers 90 years early one of them ( Chris Pratt ). "Passengers" is far to be perfect but is really gorgeous esthetically speaking - especially the spaceship sets even if there is no doubt that most of them have been created digitally as there is no way the production would have paid to create these huge decors in "real".

Making a movie with two actors only ( or almost but i don't reveal more here ) lost in space in a giant spaceship was a challenge but for the most the movie succeed to don't have boring moments - not totally, but "for the most". That said, Morten Tydlum, the director, is not Stanley Kubrick, and he don't pretend to be even if you can feel that the care to realistic decor in the spaceship eye in direction of Kubrick's 2001 A Space Odyssey style. But the script of "Passengers" don't have the metaphysics dimension that "2001" had. So let's stop here to compare the both as it won't be fair, but let's just say that a script with a bit more depth would have been welcome. By the way, talking about Kubrick, there is a great tribute in "Passengers" to another Kubrick movie - not "2001" but "The Shining" - as you'll see if you watch "Passengers".

Chris Pratt and Jennifer Lawrence do a good job, especially Jennifer Lawrence whom i consider a much more superior actor. The problem with Passengers is that it's a movie which shows involuntarily the limits of Chris Pratt. Don't get me wrong, Pratt is okay in his role of a mechanic, played with his usual cocky style that girls love, but there is a scene at the start where he wear a long beard - a bit like the one of Tom Hanks in "Castaway" - and not only the beard is fake and you can see it, which is not the biggest problem, but you realize that Chris Pratt regular acting is not enough interesting to be interesting even hidden by a fake beard. He's okay all along the rest of the movie - thanks God he cut his beard shortly after this sequence - but  you realize that when a scene must be emotional, he has some limits.

This reminds me a story with Shia LaBeouf, back in 2008, when he was the young blockbuster star in Transformers and Indiana Jones and the Kingdom of the Crystal Skull. At that time, everyone was talking about him as the new golden boy actor whom, in addition, was the protégé of Steven Spielberg. I remember a talk i had with a friend of mine, telling him that "in ten years he will be forgotten". And for the most,  it's what happened. And i'm sorry to say that i have the same feeling with Chris Pratt. Pratt is very hot now and still will be in the coming years thanks to Jurassic World 2 and Guardians of Galaxy 2 but if he don't go through serious changes inside of him, i give him too ten years to be "out" from the top list.

Back to Passengers, now, and even if it's not the Sci-Fi movie of the decade, the movie is still very pleasant to watch, and "to watch" is the right word as it's difficult to be insensitive to the beauty of  each decor or each frame. I add that considering the challenge, as i've said, to do a movie with two people only in a spaceship, for the most Morten Tyldum did a very elegant filming all along, and i'm sure that's what you'll remember when you'll go out of the theatre after watching "Passengers".




Rogue One : A Star Wars Story Short Review



So, i've watched in theatre last week Rogue One : A  Star Wars Story and i quite liked it. I can even say that it was better than i expected. I wouldn't go as far as saying like some does that it was as good as The Empire Strike Back ( Star Wars Episode 5 ) because it's not but Gareth Edwards, the director who did an excellent job on the last Godzilla movie, did also an excellent job here. ILM visual effects are perfect as usual, but the movie works especially well in the last part and even more in the last minutes as the transition with the first Star Wars is truly perfect, and it had to be as the action of Rogue One as we know is happening before Episode 4, and Rogue One ends literally a few seconds before the beginning of A New Hope.

Felicity Jones is pretty good in her role of the young Jyn Erso, but i'm more reserved on the CGI re-creation of the late Peter Cushing. Technically speaking the result is impressive but it's still not "totally that", meaning that the illusion of life is not totally there - and it will take them probably many years before they succeed to achieve this miracle - though it works better with the young CGI Princess Leia at the end because you see her a few seconds only. They did also a very strange mistake with the CGI Peter Cushing as Grand Moff Tarking as he looks much taller than the real Peter Cushing was. It's very strange they did this mistake because it don't looks that difficult to have re-create Cushing in his real size... Also, and although it's fun to see Darth Vader again, the actor playing Vader is not the same one than in the original trilogy - David Prowse in Episode 4 and Daniel Naprous in Rogue One but both with the voice of James Earl Jones - and you can feel the change of actors. Vader may have the same costume, helmet, etc, the two are not moving exactly the same and you can feel it. Most people probably won't notice it, but i did.

And the storyline, you ask? Well, before watching it i said that i was afraid that we'll get a classical "commando" movie dressed with a Star Wars style and, in some scenes it's that. There is always a kind of mandatory scenes in war or commando movies and you know you won't escape to have them, even if you've seen them hundred times in previous movies. You have this also in Rogue One and even disguised with a Star Wars theme you see them coming. But for the most the movie is pleasant to watch, and i'm pretty sure that it will be successful, even more than what Disney thought, and that you will enjoy it.

Picture: copyright Disney - Lucasfilm

Friday, December 30, 2016

Happy New Year 2017 !



All my best wishes for 2017 to all of you, faithful Disney and more readers, and to those you love. Some great new attractions will open this year and i'm sure you can't wait to ride them! Have a great New Year's Eve tonight!

Disney Legend Tyrus Wong, Known For Inspiring Disney’s ‘Bambi’ Dies at 106

Tyrus Wong, the artist whose drawings of a deer in the forest famously became the inspiration for the look of Disney’s Bambi, has died at 106. Tyrus Wong was a Chinese-born American artist. He was a painter, muralist, ceramicist, lithographer, designer and kite maker.

Tyrus Wong was born in Taishan, Guangdong, China. In 1920, when he was 9 years old, Wong and his father emigrated to the United States, and never again came into contact with his mother and sister. Wong was held on Angel Island initially, due to the Chinese Exclusion Act. He was separated on the island from his father, the only child in sight. "Nine years old, I was scared half to death," he later recalled. After his release from Angel Island, he and his father initially relocated to Sacramento. His father moved the family to Los Angeles.


While attending Benjamin Franklin Junior High in Pasadena, Wong's teachers noticed his artistic ability and he received a summer scholarship at the Otis Art Institute. Wong decided to leave junior high for a full-time studentship at Otis Art Institute in Los Angeles.. Wong's father survived on a more modest income, and Wong worked as a janitor at Otis. He walked for miles to attend classes. He graduated from Otis in 1930 and began working in Hollywood.


In 1938 Wong was hired as an “inbetweener” at Walt Disney Studios, drawing sketches of Mickey Mouse. Then, according to the museum: “When he heard that the studio was in pre-production on the feature film Bambi, he went home and painted several pictures of a deer in a forest. The small, but evocative sketches captured the attention of Walt Disney and became the basis for the film’s visual style. Walt Disney saw that Tyrus was able to produce exquisite artwork that did not necessarily look like the forest — but rather, felt like the forest. Walt’s vision for Bambi and use of Tyrus’ work still influences films today.”





Wong was let go by Disney studios shortly after finishing Bambi, due to repercussions from the Disney animators' strike. He then moved to Warner Bros, where he was a concept and story artist with credits including The Sands Of Iwo Jima, Rebel Without A Cause and The Wild Bunch. Later, he designed popular greeting cards for Hallmark, some of his Christmas cards selling over 1 million copies.


He retired in 1968. After retiring in 1968, Wong continued to create colorful kites (usually animals such as pandas, goldfish, or centipedes). He spent his Saturdays flying his creations on the Santa Monica Pier. He was named a Disney Legend in 2001, and in 2013 the Disney Family Museum mounted an exhibition of his work Water to Paper, Paint to Sky: The Art of Tyrus Wong. 

Some of his well known paintings include Self Portrait (late 1920s), Fire (1939), Reclining Nude(1940s), East (1984) and West (1984). He told an interviewer that he's a "lucky artist." 




Wong was featured in Mark Wexler's documentary How to Live Forever, where he discussed his daily lifestyle and his view on mortality, and more recently, in Pamela Tom's documentary Tyrus(2015).


He was married to Ruth Ng Kim , a second-generation Chinese American from a farming family in Bakersfield, California. Ruth worked as a lawyer but became a homemaker after the birth of their children. The couple has three daughters: Kay (born 1938), Tai-ling (born 1941), and Kim (born 1946) and two grandchildren. Wong refers to his daughters as his "greatest achievements. Ruth died on January 12, 1995.

Tuesday, December 27, 2016

BREAKING NEWS: Carrie Fisher, 'Star Wars'' Princess Leia, dies at 60


Carrie Fisher, 'Star Wars'' Princess Leia, dies at 60: Actress Carrie Fisher, whose grit and wit made "Star Wars'" Princess Leia an iconic and beloved figure to millions of moviegoers, died Tuesday in Los Angeles. She was 60. 

Her death was confirmed in a statement issued by the publicist for Billie Lourd, Fisher's daughter. "It is with a very deep sadness that Billie Lourd confirms that her beloved mother Carrie Fisher passed away at 8:55 this morning," Simon Halls said. Fisher's death came four days after she suffered a heart attack on a flight from London to Los Angeles. Full report on CNN HERE and more on D&M Facebook page HERE.

Monday, December 26, 2016

Behind the Scenes Video of Disney's Animal Kingdom Pandora The World of Avatar !


Disney released a great short video showing a behind the scenes of Pandora The World of Avatar, opening Summer 2017 at Disney's Animal Kingdom!




Video: copyright Disney

Saturday, December 24, 2016

D&M Christmas Gift : Shanghaî Disneyland and Star Wars Land Wallpapers !



It's Christmas night tonight and, as there shouldn't be any Christmas without a Christmas gift, i've got a great one for you with this series of great high-def wallpaper images for your desktop. The first ones above and below are Shanghaî Disneyland wallpapers which were given to SDL cast-members Grand Opening team, and the others, right after, are Disneyland Star Wars land wallpapers done with the previously released renderings that i'm sure you will love too. Click on each to get them in big size, and Merry Christmas to you all!


















And here are the Disneyland Star Wars land wallpaper!













All pictures: copyright Disney
 
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