Showing posts with label disney. Show all posts
Showing posts with label disney. Show all posts

Sunday, December 20, 2009

The Disney's America theme park project



Today i invite you to have a look to a Disney theme park which, very unfortunately was never built, the famous Disney's America project. Announced in 1993,it was supposed to occupy 1200 acres of a 3000 acre property in Prince William County, Virginia.



Bob Weis - who was at the head of the creative development for the park - defined it as "an ideal complement to visiting Washington's museums, monuments and national treasures" was supposed to be a park " that will be a venue for people of all ages, especially the young, to debate and discuss the future of our nation and to learn more about its past by living it". A place where guests "will be able to have rides, shows and interactive experiences that are both about the history of America, about America today and also give you a sense of America in the future. And he added: "In some ways the park is a timeline, we start in the mid-1860s and go backward or forward in time".



Yes, but what kind of rides and shows guests would have enjoy at Disney's America? Well, once they entered the park, guests would have found themselves in a detailed Civil War era village, the hub of "Disney's America.



From that point, guests could discover either "Native America" and explore the life of America's first inhabitants - including an accurate Native American village reflecting the tribes that were known in this part of the country. And also enjoy interactive experiences, exhibits and arts and crafts, as well as an exciting white water river raft ride that would have gone all around the area, based on the Lewis and Clark expedition.




Guests, then, would discover Presidents' Square, a celebration of the birth of democracy and those who fought to preserve it. The "Hall of presidents" of Walt Disney World would have moved to Disney's America.



A Civil War Fort would have plunge guests into a more turbulent time of American history, and adjacent to it, a big battlefield, where Civil War re-enactments and water battles between the Monitor and the Merrimac would have once again be fought.




Moving in the 20th century, a replica of Ellis Island building where many immigrants came through, guests would have live the "immigrant experience" through music, ethnic foods and a great live show presentation.





Enterprise, a factory town, would have highlights American ingenuity and guests could have ride a major roller coaster attraction called the "Industrial Revolution" , traveling through a 19th century landscape with heavy industry and blast furnaces. And, on either side of the coaster, exhibits of famous American technology that have defined the american industry in the past, as new developments that will define industries in the future.




On Victory Field guests would have experience what America's soldiers faced in the defense of freedom during the world wars. It would have look like an airport area with a series of hangars containing attractions based on America's military fight using virtual reality technology. The airport would have serve also as an exhibit area of planes from different periods, as well as a place for major flying exhibitions.




Another area, the State Fair, was going to show how - even during the big Depression of the '30s - Americans knew how to entertain themselves. With folk art exhibits and a live show on baseball, guests could have enjoy, too, classic wooden thrill rides in memory of Coney Island.



Finally, in Family Farm, WDI imagineers would have recreate an authentic farm where guests could have the opportunity to see different types of farm industries related to food production in addition to some hands-on experiences like milking cows and learning what homemade ice cream tastes like.



Mind you, all was not lost in this Disney's America project, as some of the concepts were finally used in Disney's California Adventure. Jim Hill wrote an article about it, and you can read it HERE.

After the big battle between Disney, and almost everybody who lived in Virginia - okay, i'm exagerating a bit - the project was cancelled. However, in 1995 Disney envisioned to build it - guess where? - at Knott's Berry farm that the Knotts family, tired to run their theme park, wanted to sale. Jim Hill, again, wrote another great article describing all what happened, and you can read it HERE



I know, this Disney's America project look great and we will all miss it forever, but there is one last good news: Bob Weis, the imagineer that was in charge of the project's creative development is now back at WDI, and is now supervising the new placemaking of Disney's California Adventure. And, believe me, all imagineers welcomed him back like the messiah!

All photos: copyright Disney Enterprises Inc

All my thanks to Jim Hill for some of the infos included in this article.

Many many thanks to Michael of the excellent Progress City web site.

Those of you who want to find more infos on the Disney's America battle can find good links HERE

Wednesday, April 23, 2008

Aloha from Hawai !



Hello, i'll be back tonight with a long article, but in the meantime, for all of you working at your office and dreaming of exotic holidays, enjoy this wonderful 1952 Disney cartoon with Goofy in Hawai!



Video: copyright Disney

Monday, April 21, 2008

DISNEY LAUNCHES NEW FILM LABEL - DISNEY NATURE - TO PRODUCE OUTSTANDING NATURE DOCUMENTARIES WITH THE WORLD’S TOP DOCUMENTARY FILMMAKERS



Dick Cook announced today the creation of a new film label "Disney Nature" to produce nature documentaries. On a certain point of view, for those of you who remember the great True Life Adventures movies, it's the big comeback of the WDC in nature and animals documentaries.

I am really happy about that news because nature or animals documentaries can be wonderful when they are well done. Below is the full press release with the Disney Nature projects in production.

It's also interesting to note that this announcement is made on the day of the 10th anniversary of Disney's Animal Kingdom, Disney's most "nature" theme park.
Mmmmh, i'm wondering if they will organize the first nature documentary world premiere at Disney's Animal Kingdom? That could be a great idea!



Burbank, California – April 21, 2008 -- The Walt Disney Studios is launching Disneynature, a prestigious new production banner that will literally go to the ends of the earth to produce major big screen nature documentaries, Studios Chairman Dick Cook announced.

In the great tradition established by Walt Disney himself, Disneynature will offer spectacular entertainment about the world in which we live. The significance of the new banner goes beyond the studio, with The Walt Disney Company embracing this new initiative around the world through a number of its businesses, including publications, licensing, parks and educational outreach. Disney veteran Jean-Francois Camilleri, who has served as senior vice president and general manager for Walt Disney Studios Motion Pictures France will head the new unit. Disneynature will be based in France, where Camilleri and his team will oversee the initiation, development and acquisition of high quality feature projects.

Among the first films to be released domestically under the new label will be Earth, from award-winning British producer/director Alastair Fothergill, whose credits include the landmark Planet Earth series for the BBC and The Discovery Channel and The Blue Planet. Earth, which is produced by BBC Worldwide and Greenlight Media and co-directed by Mark Linfield, will take us on a tour of our home planet as we’ve never seen it before. It will be narrated by renowned actor James Earl Jones and will premiere theatrically on Earth Day, April 22, 2009. The film will also be released under the Disneynature banner in Latin America.

“We love balancing heritage and innovation and Disneynature is a perfect example of this. We are placing the legacy of Disney’s ‘True-Life Adventures’ in the hands of great modern filmmakers using dazzling technology,” said Robert A. Iger, president and CEO, The Walt Disney Company. “Disneynature is a concept we look forward to building across the company and across the globe for years to come. And, we hope these films will contribute to a greater understanding and appreciation of the beauty and fragility of our natural world.”

Dick Cook added, “Our goal is for Disneynature to offer event films that will appeal to everyone who is captivated by the grandeur of nature and the wonder of great filmmaking. Thanks to today’s state-of-the-art creative tools, filmmakers have an unlimited ability to tell nature’s limitless stories. These stories are as engrossing as any works of fiction and are of a scale and scope that can only be fully appreciated on a big screen. At Disneynature, the sky is truly the limit.”

"Nature invents the most beautiful stories. Our role at Disneynature will be to tell these stories with passion and enthusiasm to the largest public possible around the world,” said Camilleri. “By working with the best wildlife directors, we will offer nature as never seen before, help the audience to discover the incredible beauty of our world but also understand the challenges for the future generations."

Alastair Fothergill added, “This is especially exciting because, thanks to the wide-ranging appeal of Disney, we can expect Earth, as well as Chimpanzee and Big Cats to be seen by the broadest possible audience. Disney has been an inspiration to wildlife documentarians for generations and it’s a genuine thrill to advance this extraordinary legacy under this new label.”

Among the other Disneynature projects currently in development or production are:

THE CRIMSON WING: Mystery of the Flamingos – Co-directed by Matthew Aeberhard and Leander Ward, and produced by Paul Webster (Kudos Pictures), this film will take viewers to the isolated shores of Lake Natron in northern Tanzania for a birds-eye view of the mysterious lives of flamingos. Worldwide roll-out begins December 2008

OCEANS -- Nearly three-quarters of the earth’s surface is covered by oceans. French co-directors Jacques Perrin and Jacques Cluzaud have set out to capture the full expanse of these waters that have played such a crucial and constant role in the history and sustenance of man. The deep and abundant oceans are places of great mysteries and dangers that this film will dare to explore. Domestic release 2010

ORANGUTANS: One Minute to Midnight – Directed by Charlie Hamilton James and produced by Frédéric Fougea, this film tells the true story of a six-year-old male orangutan and his little sister, who must take an incredible journey to find a home and a family. Worldwide release 2010

BIG CATS – Audiences will get to meet three mothers – a lioness, a leopard and a cheetah – as they explore their world on the great plains of Africa. Co-directed by Keith Scholey and Alastair Fothergill and produced by Alix Tidmarsh, this film will show how these magnificent animals survive on their power and their cunning, while they protect and teach their cubs the ways of the wild. Worldwide release 2011

NAKED BEAUTY: A Love Story that Feeds the Earth – In this film, nature is ready for its close-up … a very close-up, as exacting macro photography takes us to the realm of flowers and their pollinators. Acclaimed filmmaker Louie Schwartzberg introduces us to a bat, a hummingbird, a butterfly and a bumblebee, demonstrating their intricate interdependence and how life on earth depends on the success of these determined, diminutive creatures. Naked Beauty is produced by Blacklight Films and Alix Tidmarsh. Worldwide release 2011

CHIMPANZEE -- Alastair Fothergill and Mark Linfield co-direct this intimate look at the world of chimpanzees, with Christophe Boesch, head of the Wild Chimpanzee Foundation, serving as principal consultant and Alix Tidmarsh as producer. To be shot over three years in the tropical jungles of the Ivory Coast and Uganda, Chimpanzee will help us better understand this exceptionally intelligent species. Worldwide release 2012
About Jean-François Camilleri:

After beginning his career working in France with Warner Bros. International, which at the time distributed Disney films overseas, Camilleri came to Los Angeles in 1990 to work for Disney’s Buena Vista International (BVI). When Disney took over its own overseas distribution, he returned to Paris to help develop BVI’s offices in Europe. He then became in 1997 Vice President and general Manager for Gaumont BVI France. In 2004, BVI opened an office dedicated solely to the French market, with Camilleri as senior vice president and general manager. In this position, he also developed local co-productions and acquisitions, including The March Of The Penguins, which became the most successful French film ever in the US and won the Academy Award for Best Documentary. He will be serving as executive vice president and general manager of Disneynature.

About the filmmakers (in order of films):

Alastair Fothergill joined the BBC’s esteemed Natural History Unit in 1983, where, among many projects, he produced films with Sir David Attenborough. He served as head of the Natural History Unit from 1992-1998, when he chose to step down to work full-time on the award-winning Blue Planet. From 2002-2006, Fothergill was series producer of the landmark Planet Earth. He has entered a multi-picture deal with Disneynature.

Mark Linfield has had a prolific career, producing and directing many award-winning films, including The Battles of Braveheart, Orangutans: The High Society, The Temple Troop and The Life of Mammals with Sir David Attenborough. His most recent work has been the multi-award award winning Capuchins: The Monkey Puzzle and two episodes of Planet Earth, including the opening show, Pole to Pole, which won several Emmys.

Matthew Aeberhard worked with famed naturalist and filmmaker Hugo van Lawick on the feature films The Leopard Son and Serengeti Symphony before helming his own films on such subjects as golden jackals and baboons for National Geographic.

Leander Ward first encountered flamingos while filming in Mexico. He was cameraman on the BBC documentary Cape Buffalo: The African Boss, where he met Matthew Aeberhard and the two began developing the film that will become The Crimson Wing.

Academy Award nominee, Jacques Perrin, is a prolific French actor, director and producer. In 1968, he produced at age 27, the landmark film, 'Z'. In 2003, he produced the acclaimed film LES CHORISTES: both films were nominated for Best Foreign Film Academy Award. He also produced two of the most important natural history films ever made: MICROCOSMOS in 1996 and THE WINGED MIGRATION in 2001 which he also directed. Both received numerous awards around the world. Since 2005, he has been producing and co-directing Oceans.

Jacques Cluzaud is one of the leading French filmmakers working with innovative new cinematic technologies. In addition to traditional productions, he has created films for such formats as IMAX, water screens and a giant wall consisting of 850 monitors. While co-directing Oceans, he is also developing new technologies for sea and underwater shooting.

Charlie Hamilton James began his career as a wildlife filmmaker at age 16, working on David Attenborough's Trails of Life. He went on to serve as a cameraman working on such prestigious BBC productions as Life of Mammals, Wildlife on One, Andes to Amazon, Big Cat Diary and Planet Earth. At 26, James produced his first film with his wife Philippa Forrester – My Halcyon River – which won numerous international awards and elicited more requests for repeats than any other film in the BBC's history.

Frédéric Fougea is a nature documentarian and producer who has received more than 100 awards, including an International Emmy Award, Best Film at the European Nature Film Festival and the Gold Medal at the New York Film Festival. Among his provocative films are The Rise of Man, A Species Odyssey, The Fabulous Adventure of Man and Animal and Yeti, The Call of the Snowman.

Keith Scholey was born in Tanzania and raised in East Africa until his teens. He has returned to Africa to make a wide range of films, including Leopard: A Darkness in the Grass, The Great Rift and Big Cat Diary. He succeeded Alastair Fothergill as head of the BBC’s Natural History Unit from 1998 until 2003, being responsible for a wide range of award-winning films, including two David Attenborough productions and The Blue Planet. He is currently the Controller of Factual Production, responsible for all the BBC’s factual productions.

Louie Schwartzberg, as a director and cinematographer, has created some of the most iconic and memorable film moments of our time. His time-lapse, nature and aerial photography has brought audiences images never captured before. He has directed award-winning documentaries for National Geographic, The Hallmark Channel, The Discovery Channel and PBS, and his work has been featured in theatrical films ranging from War of the Worlds and Crash to American Beauty and E.T. In 2004, he produced and directed the award-winning Walt Disney Pictures release, America’s Heart & Soul.

For more updates on the newest production banner of The Walt Disney Studios, go to www.disney.com/nature (domestic) and www.disneynature.com (international

Wednesday, April 16, 2008

Director Andrew Stanton introduce this new WALL-E featurette, including new movie scenes !



Disney has released this four minutes WALL-E featurette, presented by director Andrew Stanton.

This featurette includes new shots from the movie, never seen before, so, warning, spoilers ahead!



Photo and youtube video: copyright Disney - Pixar

Tuesday, March 25, 2008

The Disney's America theme park project - UPDATED 27/3 with new high-res scans



We had a look recently at the WestCOT "that never was" project, and today i invite you to another Disney theme park that, unfortunately, was never built, the famous Disney's America project. Announced in 1993,it was supposed to occupy 1200 acres of a 3000 acre property in Prince William County, Virginia.



Bob Weis - who was at the head of the creative development for the park - defined it as "an ideal complement to visiting Washington's museums, monuments and national treasures" was supposed to be a park " that will be a venue for people of all ages, especially the young, to debate and discuss the future of our nation and to learn more about its past by living it". A place where guests "will be able to have rides, shows and interactive experiences that are both about the history of America, about America today and also give you a sense of America in the future. And he added: "In some ways the park is a timeline, we start in the mid-1860s and go backward or forward in time".



Yes, but what kind of rides and shows guests would have enjoy at Disney's America? Well, once they entered the park, guests would have found themselves in a detailed Civil War era village, the hub of "Disney's America.



From that point, guests could discover either "Native America" and explore the life of America's first inhabitants - including an accurate Native American village reflecting the tribes that were known in this part of the country. And also enjoy interactive experiences, exhibits and arts and crafts, as well as an exciting white water river raft ride that would have gone all around the area, based on the Lewis and Clark expedition.




Guests, then, would discover Presidents' Square, a celebration of the birth of democracy and those who fought to preserve it. The "Hall of presidents" of Walt Disney World would have moved to Disney's America.



A Civil War Fort would have plunge guests into a more turbulent time of American history, and adjacent to it, a big battlefield, where Civil War re-enactments and water battles between the Monitor and the Merrimac would have once again be fought.




Moving in the 20th century, a replica of Ellis Island building where many immigrants came through, guests would have live the "immigrant experience" through music, ethnic foods and a great live show presentation.





Enterprise, a factory town, would have highlights American ingenuity and guests could have ride a major roller coaster attraction called the "Industrial Revolution" , traveling through a 19th century landscape with heavy industry and blast furnaces. And, on either side of the coaster, exhibits of famous American technology that have defined the american industry in the past, as new developments that will define industries in the future.




On Victory Field guests would have experience what America's soldiers faced in the defense of freedom during the world wars. It would have look like an airport area with a series of hangars containing attractions based on America's military fight using virtual reality technology. The airport would have serve also as an exhibit area of planes from different periods, as well as a place for major flying exhibitions.




Another area, the State Fair, was going to show how - even during the big Depression of the '30s - Americans knew how to entertain themselves. With folk art exhibits and a live show on baseball, guests could have enjoy, too, classic wooden thrill rides in memory of Coney Island.



Finally, in Family Farm, WDI imagineers would have recreate an authentic farm where guests could have the opportunity to see different types of farm industries related to food production in addition to some hands-on experiences like milking cows and learning what homemade ice cream tastes like.



Mind you, all was not lost in this Disney's America project, as some of the concepts were finally used in Disney's California Adventure. Jim Hill wrote an article about it, and you can read it HERE.

After the big battle between Disney, and almost everybody who lived in Virginia - okay, i'm exagerating a bit - the project was cancelled. However, in 1995 Disney envisioned to build it - guess where? - at Knott's Berry farm that the Knotts family, tired to run their theme park, wanted to sale. Jim Hill, again, wrote another great article describing all what happened, and you can read it HERE



I know, this Disney's America project look great and we will all miss it forever, but there is one last good news: Bob Weis, the imagineer that was in charge of the project's creative development is now back at WDI, and is now supervising the new placemaking of Disney's California Adventure. And, believe me, all imagineers welcomed him back like the messiah!

All photos: copyright Disney Enterprises Inc

All my thanks to Jim Hill for some of the infos included in this article.

Many many thanks to Michael of the excellent Progress City web site.

Those of you who want to find more infos on the Disney's America battle can find good links HERE

Wednesday, March 12, 2008

Will Disney release new video games for the Apple IPhone ?



On March 6, Apple released what every programmer was waiting for: the IPhone SDK.
With this tool, new IPhone applications will appear in June and be release through ITunes, some of them free, others not.

But one thing is sure: the IPhone, before the end of the year will be not only a mobile phone, not only a great IPod, not only a perfect video player, but also it will be very close to a Sony PSP, and yes, with a lot of games available.
Sega and Electronic Arts have already developed IPhone games as you will see below, and yesterday, Namco announced an IPhone version of the Pacman and Galaga games, Popcap Games announced they will enhance and release new IPhone versions of their famous games Bejeweled and Zuma, and Gameloft also announced officially that they will release 15 new games for the IPhone!



So, is Disney going to develop new games specially for the IPhone? In spite nothing has been officially announced yet, i can tell you that the answer will be: YES!

Not only because Steve Jobs is Disney's biggest stock holder and member of the board, but mostly because Disney really want to make more and more money through his on-line products.

Take, for instance, this February 20 article from the very good appleinsider web site, where we can learn that "Disney produces first movie-license iPod game":
"Slipping through the cracks of the week's releases is the first iPod game to draw on a movie license: Disney Online Studios' Pirates of the Caribbean: Aegir's Fire.

Compatible with both newer iPod classic and iPod nano devices as well as the older fifth-generation iPod with video, the new game is based on a new story set in the Pirates of the Caribbean movie trilogy's universe.

Players chiefly engage in ship-to-ship combat over the course of 30 missions and are encouraged to use the iPod's click wheel as though it were a boat's steering wheel.

Gamers can also upgrade their ship and bring on well-known characters from the movies as crew members, Apple says.

The game is priced at the same $5 as for all iPod titles and is only the second game based on an outside movie or TV license, the other being an adaptation of ABC's ongoing Lost TV show.
"

And also this yesterday's article of the Silicon Alley insider web site "Disney: $123 Million From iTunes Since 2006" where they reveal that "Disney CEO Bob Iger tells the audience at the Digital Hollywood Media Summit that he's sold 4 million movies and "40 to 50" million videos through iTunes since he launched the service in 2006."

Not to mention this other MyWay.com news "Iger: Disney to Reap $1 Billion Online" where we can learn that "The Walt Disney Co. expects to collect $1 billion in revenue from online content this fiscal year, a significant rise from estimates for fiscal 2007, CEO Robert Iger said Monday."

So,considering that Apple will definitely sell this year 10 millions IPhone, and many more in the years to come, you can be DEAD sure that Bob Iger is not going to let escape the phenomenal amount of dollars Disney can reasonably expect from the sale of specially-made-for Iphone video games.

Now, i know, each of us who tried before to play a video game on a mobile phone was stunned to see how bad it looked. But, you see, the IPhone is NOT a "normal" mobile phone, it's a computer, the smallest computer available on the planet.
Everyone who own already this beautiful device knows it. And its possibilities are more than amazing. Not to mention, too, that in June, Steve Jobs will proudly announce the new 2.0 software version and a 3G IPhone. And, just like last year, it's going to be a new revolution in the mobile world.



When Steve made his SDK announcement one week ago, two demos of IPhone video games were shown to the audience. Each game is played using only the multi touch function and IPhone accelerometer. For each, the companies - Sega and Electronic Arts - had two weeks only to create them! That's not a lot of time indeed to develop new video game for a new kind of device, but have a look at the result. The first video below is the "Super Monkey Ball" developed by SEGA for the IPhone.





This other one, from Electronic Arts, is called "Spore", where a fish must eat smaller than him and avoid to be eaten by bigger than him!



And what about this"Wing Commander" which do a great use of the IPhone accelerometer.



I agree that Sony PSP games are still superior, but if you keep in mind that these three games were developed in only two weeks, just to be ready for Steve Jobs keynote presentation, you will guess what we can expect for the end of the year, whether they will come from these different companies.....or from Disney.

Monday, February 11, 2008

Is this the first , and already "Ultimate" WALL-E robot?



Well, if we trust this Flickr picture, it seems that we have here the first WALL-E "real" robot, the one we are all waiting for.

No sign of any name of manufacturer, however, but this "ultimate" and "programmable" WALL-E is supposed to have amazing animated features. Note that "programmable" doesn't necessarily mean "remote controlled". More news as soon as they'll be available.

Meanwhile, a clever group of students using the LEGO Mindstorm series built a working WALL-E, with sensors. This was the winning entry for the NXTLOG Back to School Building Challenge.

This WALL-E is an autonomous clean-up robot for class rooms. After the children leave a mess in the class room, WALL-E would drive around the class cleaning up all the rubbish and leaving the floor spotless and reduce the teachers work load.

The robot would scan the floor for litter and rubbish, pick them up and put it in its belly and crush them. It would use the ultrasonic sensor to detect rubbish.

More infos on the LEGO website where you can see a short video of the robot working, and picture below.



Top picture from Flickr Galerie de Argyle
 
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